Herbert Henck Piano Music

Herbert Henck: Piano Music (2001)  

Posted by peachfuzz at Sept. 26, 2010
Herbert Henck: Piano Music (2001)

Herbert Henck - Piano Music (2001)
Classical | EAC (APE - CUE - LOG) | No Covers | 286 MB

Liner Notes
Viewed collectively, Herbert Henck's recordings for ECM add up to a portrait gallery of some of the most fiercely independent spirits in 20th century music. In this series of recordings, Henck has illuminated composers whose work is outside all the "schools". After Mompou, Mosolov, Barraqué, and Hans Otte, the resourceful German pianist now turns his attention to two maverick Americans - George Antheil and Conlon Nancarrow.
Karlheinz Stockhausen: Klavierstucke I-XI (Herbert Henck, piano)

Karlheinz Stockhausen - Klavierstucke I-XI (Herbert Henck, piano) (1987)
Classical | EAC (APE, CUE & LOG) | 216 MB

It's been said by Stockhausen that Klavierstücke were his "drawings". In the short span of ten years between the ages of 24 and 33, Stockhausen was stimulated by such eclectic subject matters as “electronic music”, “pointillistic music”, “spatial music”, “group form”, “chance”, “silence”, “noise”, “notation”, “statistical composition”, “musical processes”. These were Stockhausen’s pioneer years, wherein many of these elements were meticulously applied to his music which brought him world-wide recognition. The first cycle of the Klavierstücke, numbers I-IV, are ascetic miniatures written in Paris in 1952-3 when Stockhausen was studying with Messiaen. During this time he was evolving from “point” music to “groups” – or gruppen. “VI” exploits factors largely outside the control of composer or musician, its overall structure governed by the natural periods of sound decay and reverberation. “XI” displays Stockhausen’s first thorough-going application of aleatory principles, the score comprising irregularly distributed groups of notes which the pianist plays randomly within certain parameters: the pianist decides what order to play the groups in, but the score contains instructions in each group which affect the way that the next, whatever it might be, is realized.

Alexandr Mosolov - Herbert Henck (1996) {ECM 1569} [Re-Up]  Music

Posted by tiburon at Jan. 26, 2016
Alexandr Mosolov - Herbert Henck (1996) {ECM 1569} [Re-Up]

Alexandr Mosolov - Herbert Henck (1996) {ECM 1569}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 156MB + 5% Recovery
Genre: Classical

Alexander Mosolov (1900-1973), too, uses his own distinctive scheme of tonal organisation, different from Roslavets, and different from the Vienna School as well. His sonatas are technically very complex and difficult, and symphonically oriented, exploiting the full resources of the modern instrument. Herbert Henck puts this difficult material across in a beautiful, spirited performance and finds a lot of lyricism behind an often forbidding surface. The recording and production are up to the highest possible standards, as with all of ECM's releases, which are unsurpassed.

Herbert Henck - Federico Mompou: Musica Callada (1995)  Music

Posted by SuniR at Aug. 19, 2016
Herbert Henck - Federico Mompou: Musica Callada (1995)

Herbert Henck - Federico Mompou: Musica Callada (1995)
EAC | FLAC (log,tracks+cue) -> 160 Mb (5% Rec.) | Scans included
Classical, Piano | Label: ECM Records / ECM New Series, ECM 1523 / 445 899-2 | 1995 | 01:05:33

Federico Mompou (1893-1987) lived a long life filled with a quiet love for music. Although much has been said of his three decades spent in Paris, during which time he crossed paths with the likes of Debussy and Satie, it was in solitude that his crowning relic would be fashioned, already in a state of alluring dilapidation, and ultimately far from any of the geographic reference points that dotted his travels. Música Callada came into existence between 1959 and 1967, and represents one of the Catalan composer’s last major works.
Charles Ives - Sonate Für Klavier Nr. 1 - Herbert Henck (1984)

Charles Ives - Sonate Für Klavier Nr. 1 - Herbert Henck (1984)
EAC RIP | APE + CUE + LOG | COVER + BOOK | RAR FILES (3% recovery) | 113 Mb
Classical | WERGO WER 601101-50
Wagner - Complete Piano Music - Pier Paolo Vincenzi (2013) {2CD Brilliant Classics 94450}

Wagner - Complete Piano Music - Pier Paolo Vincenzi (2013) {2CD Brilliant Classics 94450}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 351 Mb | MP3 @320 -> 340 Mb
Full Artwork @ 300 dpi (jpg) -> 23 Mb | 5% repair rar
© 2013 Brilliant Classics | 94450
Classical / Sonatas / Solo Piano

Richard Wagner's reputation rests on his tetralogy, Der Ring des Nibelungen, and the other music dramas he created, including Lohengrin, Tannhäuser, Tristan und Isolde, Die Meistersinger von Nürnberg, and Parsifal, which revolutionized all aspects of late Romantic music and left their mark on modern music as well. Yet there is a small body of non-operatic works that shows a more relaxed Wagner working on a much smaller scale: his Siegfried Idyll for chamber orchestra, a group of songs, and a collection of pieces for piano. This double CD by Pier Paolo Vincenzi presents Wagner's complete piano music with three sonatas, a large-scale fantasia, and eleven short pieces that show the composer's attempts at finding a more personal and intimate voice.
Goran Filipec, Silvia Mazzon - Maček: Complete Piano Music; Sonata for Violin and Piano (2014)

Goran Filipec, Silvia Mazzon - Maček: Complete Piano Music; Sonata for Violin and Piano (2014)
Mp3 CBR320 Kbps -> 149 Mb (5% Rec.)
Classical | Label: Grand Piano | 2014 | 01:00:46

Little known outside his native Croatia, Ivo Maček (1914-2002) occupied an important place in 20th c. Yugoslavian musical life as pianist and educator. He composed a small number of solo piano works, all of which can be heard on this world premiere recording. The Intermezzo is among his most poetic early miniatures, while the expressively wide-ranging Theme and Variations is one of his most inventive pieces. His 1985 Sonata is the most elaborate and imposing of his solo piano works, whereas the 1980 Violin Sonata typifies the increasing sophistication and poise of his later style.
Maurizio Zaccaria - Massenet: Integrale Piano Music (2016) [TR24][OF]

Maurizio Zaccaria - Massenet: Integrale Piano Music
Classical | FLAC (tracks) 24-bit/88.2 kHz | 79:39 min | 1.23 GB | Front Cover
Label: AEVEA Classics | Tracks: 29 | Rls.date: 2016

Amongst the operas, the orchestral works and the songs, for which he is very well known, Jules Émile Frédéric Massenet (1842-1912) also wrote a piano concerto and various piano pieces. These include a cycle of Improvisations, Ten pieces "de genre" (Op. 10), 2 Valses, 2 Impressions, and some other separated pieces. It can be identified with relative ease the Melodie, alas 'Elégie', the famous song. The CD also include the recording of two transcriptions derived from famous Massenet's melodies: the Meditation from 'Thais', and the 'Aragonaise' from 'Le Cid'. The character of Massenet's music here is mostly cantabile with some virtuoso and fast pieces which give a great variety to the series.
Martin Roscoe - Erno Dohnanyi: The Complete Solo Piano Music, Vol.3 (2015)

Martin Roscoe - Ernő Dohnányi: The Complete Solo Piano Music, Vol.3 (2015)
EAC | FLAC | Image (Cue&Log) ~ 229 Mb (incl 5%) | Scans included | Time: 01:19:06
Genre: Classical | Label: Hyperion | # CDA 68033

The penultimate volume in Hyperion’s four-part survey of the complete solo piano music of Ernő Dohnányi focuses on music from the period when the composer’s pre-eminent position was being assured. The titles of the largest works here, Ruralia hungarica and the Variations on a Hungarian Folksong, mask in their nationalistic ostentation the skill of a true master of piano composition. Martin Roscoe inhabits the world of Dohnányi’s music like no other—appraisals of the earlier volumes attest to this—and this new recording is a joy.
Layla Ramezan - Layla Ramezan Plays 100 Years of Iranian Piano Music, Vol. 1 (2017)

Layla Ramezan - Layla Ramezan Plays 100 Years of Iranian Piano Music, Vol. 1
Classical | MP3 CBR 320 kbps | 72:13 min | 166 MB
Label: Paraty Productions | Tracks: 18 | Rls.date: 2017

Ceci est l’histoire de l’Iran, une partie au moins de l’histoire de la musique dissimulée dans les pages et les courants des changements. Le présent recueil rend compte des aspects de ces recoins secrets qui surgissent d’un temps et d’un monde différents. Ceux qui sont nés dans les années 1928-1958 et qui ont grandi dans un monde complètement différent, se sont rassemblés afin que l’auditeur puisse entendre ce qui émane d’une époque et de conditions qui nous semblent aujourd’hui extrêmement lointaines.