Helene E. Roberts

Introduction to Cell and Tissue Culture: Theory and Technique by Penelope E. Roberts  eBooks & eLearning

Posted by tanas.olesya at Dec. 4, 2014
Introduction to Cell and Tissue Culture: Theory and Technique by Penelope E. Roberts

Introduction to Cell and Tissue Culture: Theory and Technique (Introductory Cell and Molecular Biology Techniques) by Penelope E. Roberts
English | October 4, 2013 | ISBN: 0306458594 | 314 pages | PDF | 4 MB

It is a pleasure to contribute the foreword to Introduction to Cell and Tissue Culture: The­ ory and Techniques by Mather and Roberts. Despite the occasional appearance of thought­ ful works devoted to elementary or advanced cell culture methodology, a place remains for a comprehensive and…
Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art (2 Vol. Set) (repost)

Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art (2 Vol. Set) by Helene E. Roberts
English | 1998 | ISBN: 1579580092 | 1150 pages | PDF | 19 MB
Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art (2 Vol. Set)

Encyclopedia of Comparative Iconography: Themes Depicted in Works of Art (2 Vol. Set) by Helene E. Roberts
English | 1998 | ISBN: 1579580092 | 1150 pages | PDF | 19 MB

Alasdair Roberts - Alasdair Roberts (2015)  Music

Posted by delpotro at Aug. 29, 2017
Alasdair Roberts - Alasdair Roberts (2015)

Alasdair Roberts - Alasdair Roberts (2015)
EAC Rip | FLAC (tracks+log+.cue) | 00:41:01 | 247 Mb
Folk, Singer-Sonhwriter | Label: Drag City

Alasdair Roberts has been paying due diligence to the folkie lifestyle for many years now, having just released his ninth full-length under his own name with little to no fanfare. The Scot is a commanding figure of the nebulous genre s realest traditions, spanning back to a style that echoes how folk standards are played, or what you might expect from the actual folk circuit. While recent Roberts works have been ominous and twilit, his new self-titled finds himself in a contented and soothed state of mind. The record is, for all intents and purposes, a solo record with a little help from his friends – whistles, clarinets and extra-special vocalists appear to wish him well, but let him do the talking, whether its with words or a knotty guitar melody.

Helene Tursten - Sezione crimini violenti (2011) [Repost]  eBooks & eLearning

Posted by edi1967 at April 22, 2017
Helene Tursten - Sezione crimini violenti (2011) [Repost]

Helene Tursten - Sezione crimini violenti (2011)
2011 | ISBN: 978-88-347-1803-2 | Italiano | 915 pages | MOBI/EPUB | 2.2 MB

Una sera piovosa di novembre. Un colpo sordo sulla ghiaia bagnata. I passanti del centro di Göteborg si radunano sotto il balcone al quinto piano di un palazzo signorile. L’ispettrice Irene Huss, il commissario Andersson e un’affiatata squadra di colleghi iniziano a indagare su ciò che sembra a tutti gli effetti un suicidio. L’improvvisa scomparsa di Richard von Knecht, abile uomo d’affari dell’alta borghesia di Svezia, risveglia enorme interesse nella stampa, mentre si cerca di ricostruire la tela delle persone a lui vicine.
Juliette Hurel, Helene Couvert - A L'aube Du Romantisme: Beethoven & Schubert (2013)

Juliette Hurel, Hélène Couvert - A L'aube Du Romantisme (2013)
Works for Flute and Piano by Ludwig van Beethoven & Franz Schubert

EAC | FLAC | Image (Cue&Log) ~ 221 Mb (incl 5%) | Mp3 (CBR320) ~ 164 Mb (incl 5%) | Scans included
Genre: Classical | Label: Naïve | # V5342 | Time: 01:07:15

Juliette Hurel's 2013 album on Naïve explores pieces for flute and piano by Ludwig van Beethoven and Franz Schubert, evoking the period between Classicism and early Romanticism. Perhaps the subtlest work of the program is Beethoven's Flute Sonata in B flat major, WoO A4, written in 1790 and fashioned under the influence of Haydn. Its sunny disposition and light textures are periodically interrupted by unexpected key changes and sudden digressions into the minor, characteristics that anticipate Beethoven's later development and mark it as a transitional work. His Serenade for flute and piano, Op. 41, is an arrangement of the Serenade for flute, violin, and viola, Op. 25, and it has a similar, if sometimes deceptive, air of Classical simplicity, which is all the more apparent because of the brevity of the movements. Only Schubert's Variations on a Theme from Die schöne Müllerin is unequivocally Romantic, and its sudden changes of mood and key make it the most fascinating piece on the disc.

751 Supense e-Books  eBooks & eLearning

Posted by stephan89 at Oct. 31, 2015
751 Supense e-Books

751 Supense e-Books
English | Mobi | 370 Mb
Nicola Matteis - Helene Schmitt - Ayrs for the Violin (2009) {Repost}

Nicola Matteis - Ayrs for the Violin
Helene Schmitt - Eric Bellocq - Jorge-Andreas Boettcher
EAC+LOG+CUE | FLAC: 395 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Alpha # 144 | Country/Year: France 2009
Genre: Classical | Style: Baroque

…Schmitt’s sound, though slightly acidulous, should never offend even the most ardent champion of modern instruments. She plays with a verve and dash that makes the ayrs ingratiating, even on first hearing. (…) Strongly recommended.
First Lady: From Boyhood to Womanhood: The incredible story of New Zealand's sex-change pioneer Liz Roberts

First Lady: From Boyhood to Womanhood: The incredible story of New Zealand's sex-change pioneer Liz Roberts by Alison Mau
English | September 4th, 2015 | ISBN: 1927262372 | 248 Pages | EPUB | 3.92 MB

Liz Roberts is a Kiwi pioneer; the first person to undergo a full surgical sex change in New Zealand. This inspirational memoir tells the story of how, with the help of medical specialists working in previously uncharted territory, she changed her name, her sex and her legal status in the 1970s, freeing her to live a new life as a woman.

Helene Fischer - Flieger (The Mixes) (2018)  Music

Posted by Fizzpop at May 31, 2018
Helene Fischer - Flieger (The Mixes) (2018)

Helene Fischer - Flieger (The Mixes) (2018)
WEB FLAC (Tracks) 290 MB | Cover | 39:41 | MP3 CBR 320 kbps | 92 MB
Schlager, Pop | Label: Polydor/Island

Allerdings sorgte im Vorfeld weniger die musikalische Veröffentlichung für Aufsehen, als vielmehr das Single-Cover. Auf diesem ist Helene Fischer nur mit einem Blazer bekleidet abgelichtet, die Hose hat die Sängerin kurzerhand weggelassen. Die pikanten Stellen verdeckt Helene Fischer selbst mit ihren Händen und blickt mit einer Mischung aus Ertappt-werden und Lächeln in die Kamera. In der ORF-Sendung „Willkommen Österreich“ zeigte sich Helene Fischer selbst verwundert über die große öffentliche Diskussion um das Bild: Einerseits sei die Pose in der Modewelt üblich und andererseits sei das Foto nicht neu. Unter anderem sei es schon in anderen ihrer CD-Booklets verwendet worden. Zum Abschluss beruhigte die Sängerin die gehitzten Gemüter und verriet: „Keine Angst, ich hatte ein Höschen an!“