Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Pianist Debbie Poryes works here with a Dutch trio formed right after her arrival on that scene – a nicely-balanced group that really respects Debbie's sensitive touch on the keys, and seems to make her subtle sounds come out even more than they might in the setting! Poryes has an approach that's on the mellower side of lyrical – kind of a post-Bill Evans approach, but even more subtle overall – yet one that's also very striking in its subtlety – as the lean choices of notes show just how far and free jazz piano had come by this time, but in ways that could still swing and stay inside. The group features Hein Van De Geyn on bass and Hans Eykenaar on drums – and titles include "For Brad", "Sweet Georgie Fame", "Holland", "Foolish Door", and "My Romance".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. West coast meets Dutch jazz – in this sweet set that features Bob Cooper on tenor and Conte Candoli on trumpet – both musicians who rose to fame in the LA scene of the 50s, but who still stand plenty strong here with the trio of Rein DeGraaff in the 90s! Cooper and Candoli continued to play often over the years – even after both had lost the opportunity to record much as leaders – and the musicians are in fine form here, with strong backing from Rein's trio that also features Koos Serierse on bass and Erik Ineke on drums.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. The Dutch jazz scene had plenty to offer back in the 70s – not just the better-remembered avant jazz from big free jazz musicians, but also some great straight ahead material too! This album's a key set from that wonderful time – and features a combo led by pianist Rein DeGraaf and reedman Dick Vennik – a great player who blows tenor, soprano sax, and flute on the record – with a depth of feeling that has us wondering why he never scored bigger fame on this side of the Atlantic. Even the mellower moments have a nice sort of bite – and rhythms are from Koos Serierse on bass and Eric Ineke on drums – on titles that include the stunning 13 minute title track "Modal Soul", plus "Short Rainbow", "Sweet Basil", "Detour Ahead", and "Lonely Hunter".
Dialogues may be one of saxophonist Lee Konitz's best albums in a discography both prolific and still expanding. The sounds of Bert van den Brink (piano), Hein Van de Geyn (bass) and Hans van Oosterhout (drums) blend perfectly with the leader's alto sax. So attractive is the sound that one hopes this session is not a one-off affair.