Jascha Heifetz was the prodigy of the twentieth century. Debuting in 1908 at the age of seven, he was known throughout his life for his infallible intonation and the unflappable ease with which he played even the most difficult repertoire. Though he was sometimes maligned as being coldly technical, no one ever said he wasn't amazing. This compilation offers ample opportunities to marvel.
This is set of records of violin virtuoso Jascha Heifetz, one of the best violinists ever. It was originally issued in seventies on vinyl and it is mono. As you can read in the booklet. "The selections on these compact disks were recorded before noise-reduction methods were available. In the digital remastering, effort was made to minimize the inherent noise; radical methods were not used in order to preserve the full-frequency content of the original recordings. Therefore, some noise may be experienced in reproduction on wide-range equipment".
Deutsche Grammophon proudly presents 42 of its greatest ever recordings for violin, from its matchless catalogue of the finest violinists of the last 75 years. Fritz Kreisler began it all for the company by recording a series of his own compositions and arrangements. 31 violinists grace 111 The Violin, with recordings from the early 1900s to 2012.
A smart concept smartly executed, this disc called Heifetz: Double Concertos features the great violinist dueting with three different string soloists in three different concerts from three different periods. How well it works is a matter of taste. In all three works, Heifetz lives up to his reputation for brilliance: slashing in Bach's Concerto for two violins in D minor, elegant in Mozart's Sinfonia concertante for violin and viola in E flat, and sternly passionate in Brahms' Double for violin and cello in A minor.
For what it is, this is the best there is. What it is is two discs of encores recorded in the mid-'40s for American Decca by Jascha Heifetz, the man some would say was the greatest violin virtuoso of the twentieth century. Every performance, every phrase, heck, every note is absolutely stunning, full of the kind of flash and brilliance and artistry you just don't hear anymore. This may sound like an absurd exaggeration, but just try any track at random – they're all consistently amazing. Try the extravagant technique of Benjamin's Jamaican Rumba or the hilarious wit of Rossini's Figaro or the sentimental warmth of Berlin's White Christmas or the ingratiating nostalgia of Foster's Old Folks at Home or the deep blues of Gershwin's Porgy and Bess or the insouciant swing of Weill's Mack the Knife or exquisite sensuality of Chopin's Nocturne.
"…I don't care how many versions of these concerti you have…If you don't have a Heifetz recording you are missing out, and this SACD is the one to have. Go buy it now." ~sa-cd.net