“During this visit, these young ladies were so obliging as to sing me a Salve regina, lately set by their father, in duo. It is an exquisite composition, full of grace, taste and propriety.” What more could one ask of an antiphon than that which Charles Burney found in an impromptu performance by Hasse’s daughters during a visit to their father in Vienna in 1772? Hasse composed several settings of the Salve regina of which Reinhard Goebel has chosen two for his interesting programme of vocal and instrumental pieces by the composer.
Charles Burney described Johann Adolf Hasse, his contemporary, as ‘the most natural, elegant and judicious composer of vocal music, as well as the most voluminous now alive…’ His output includes 63 operas, but only two are currently recorded, yet inexplicably this is the second Piramo, albeit markedly livelier and with the bonus of its two ballet suites. Schneider’s perceptive booklet note comments that too readily we find such composers immature – ‘almost like Mozart’, rather than excitingly expressive and individual. Here even the subtitle Intermezzo tragico is novel, implying a fusion of two traditions, comic and serious. The music is equally unconventional. Recitatives slip seamlessly into and out of arias, creating a strong sense of dramatic continuity. Colours are imaginative: flutes and bassoons paint a beautiful description of Piramo’s Utopia; natural horns roar rudely as the lion approaches – though he proves a rather likeable beast in his subsequent sinfonia. The performance is excellent. Monoyios, a gentle Tisbe, floats effortlessly in melting vocalises; Schlick’s Piramo contrasts, yet matches in their love duets; while Jochens, the domineering father, confirms in his remarkably jolly suicide aria that the final tragico stage, littered with the corpses of all three characters, is not to be taken too seriously.-George Pratt
Scott Joplin: Piano Rags is a 1970 ragtime piano album, consisting of compositions by Scott Joplin played by Joshua Rifkin, on the Nonesuch Records label. The original album's cover states the name as Piano Rags by Scott Joplin, as contrasting the album's spine. The record is considered to have been the first to reintroduce the music of pianist and composer Joplin in the early 1970s. It was Nonesuch Records' first million-selling album.