"With the title track, Ben Sidran delivers one of the most insightful songs in a career full of them; in it, he rearranges the paradigm to suggest how we might buck up against situations that seem hopeless. His timing couldn't be better. His stylistic mentor, the late Mose Allison, would be proud." - Neil Tesser, Grammy winning author and Host of the syndicated program 'Jazz With Neil Tesser'. PICTURE HIM HAPPY is a response to the saying that our music is made by and for people who have chosen to feel good in spite of conditions: you often can’t affect what happens but you can determine how you respond to it. It’s a record that’s right on time.
‘I Could Be Happy‘, the band’s fifth studio album and also an original track by Altered Images, does just that showcasing 6 more handpicked and carefully crafted reworkings of tracks from the likes of Brian Eno, The Ramones and The Cure to name a few. In contrast with previous releases ‘I Could Be Happy‘ is the first release to feature original material from Nouvelle Vague themselves and while these tracks don’t have the same “damn, I know this track, but do I…” feeling that their previous repertoire offered they remain accomplished and enjoyable within their own right.
Nina is VERY eclectic. At all of the concerts that I have attended, she has sung punk, opera, rock 'n' roll, blues, krishna chants, big band, and other styles. If you enjoy music as music, no matter what the style, then this CD captures that character of Nina– minus the opera. The first version of this CD, the German, Freud Euch, has two opera-style songs on it that aren't on this CD. There are a couple of other songs on this CD and not on Freud Euch: "Born To Die In Berlin" and "Shiva." This CD also sounds more like how the music sounds in concert, having less overdubs and production tweaks than Freud Euch. It sounds like it was produced for the American audience to give them an idea of what to expect from a live performance by her.
Features 24 bit digital remastering. Comes with a description. Originally released on Atlantic in 1957, the short-lived bop quintet les Jazz Modes performed excerpts from Frank Loesser's third Broadway musical The Most Happy Fella. This tasteful date features Julius Watkins on French horn (and pre-Thelonious Monk) and tenor saxophonist Charlie Rouse, accompanied by pianist Gildo Mahones, bassist, Martin Rivera, drummer Ron Jefferson, and, for this date only, vocalist Eileen Gilbert was added on "My Heart Is So Full of You."
This documentary focuses on the band the Turtles. They were one of the premiere rock groups of the 1960s and they had nine top 30 hits. Some songs are included here such as "Happy Together," "Elenor," and "She'd Rather Be With Me."
When trombonist/producer Wayne Henderson, pianist/keyboardist Joe Sample, sax-man Wilton Felder, and drummer Stix Hooper changed their name from the Jazz Crusaders to the Crusaders back in 1971, it signaled a more R&B-minded direction for the group – they were always funky, but in the '70s, they became even funkier. And so, the names the Crusaders and the Jazz Crusaders came to stand for two different things – if the Jazz Crusaders were synonymous with a funky yet acoustic-oriented approach to hard bop (à la Art Blakey's Jazz Messengers), the Crusaders were about electric-oriented jazz-funk and fusion. In 1995, Henderson (who left the Crusaders in 1975) resurrected the name the Jazz Crusaders and produced Happy Again for the small, Los Angeles-based Sin-drome Records.