Reissue with SHM-CD format and new 24bit remastering. Birdland was the Mecca for most modernists of the 50s. It was the only club in New York City where a big band could play. Bookings were mostly for solid two-week periods. On Monday nights the regulars were off, and the legendary jazz disk jockey Symphony Sid (1909-1984) ran one of his jam sessions with young, upand-coming, cutting edge local musicians. Anything could happen and frequently did, as these outstanding performances, recorded on two consecutive Monday nights, on April 21 and 28 1958, show.
Why any critic would think that Hank Mobley was at the end of his creative spark in 1963 - a commonly if stupidly held view among the eggheads who do this for a living - is ridiculous, as this fine session proves. By 1963, Mobley had undergone a transformation of tone. Replacing the scintillating airiness of his late-'50s sides was a harder, more strident, almost honking one, due in part to the influence of John Coltrane and in part to Mobley's deeper concentration on the expressing blues feeling in his trademark hard bop tunes. The CD version of this album sets the record straight, dropping some tunes form a session months earlier and replacing them with alternate takes of the title cut and "Carolyn" for historical integrity, as well as adding "Syrup and Biscuits" and "Comin' Back"…
It's About Time is a studio album by Hank Williams Jr. released by Nash Icon Records on January 15, 2016. The album includes re-recordings of previously released material and new songs. The album debuted at No. 2 on Top Country Albums, the highest he's reached on the chart since the release of Lone Wolf in 1990. The album also debuted at No. 15 on Billboard 200, selling 24,000 copies in its first week. It sold a further 9,000 copies in its second week. The album has sold 60,800 copies in the US as of March 2016.
Here's Love is an album by American jazz pianist Hank Jones featuring interpretations of music from Meredith Willson's Broadway musical Here's Love recorded in 1963 for the Argo label. The artistry of Milt Hilton on bass, Elvin Jones on drums, and Kenny Burrell on guitar, welded cohesively by the remarkable ingenuity of Hank Jones, makes for many minutes of easy listening.