It's About Time is a studio album by Hank Williams Jr. released by Nash Icon Records on January 15, 2016. The album includes re-recordings of previously released material and new songs. The album debuted at No. 2 on Top Country Albums, the highest he's reached on the chart since the release of Lone Wolf in 1990. The album also debuted at No. 15 on Billboard 200, selling 24,000 copies in its first week. It sold a further 9,000 copies in its second week. The album has sold 60,800 copies in the US as of March 2016.
Here's Love is an album by American jazz pianist Hank Jones featuring interpretations of music from Meredith Willson's Broadway musical Here's Love recorded in 1963 for the Argo label. The artistry of Milt Hilton on bass, Elvin Jones on drums, and Kenny Burrell on guitar, welded cohesively by the remarkable ingenuity of Hank Jones, makes for many minutes of easy listening.
Four CD set containing eight albums from the Jazz legend. Includes the albums Hank Mobley Quartet, Tenor Conclave, Hank Mobley All Stars, Hank, Hank Mobley Quintet, Hank Mobley Sextet, Soul Station and Roll Call. With no disrespect toward Hawk, Bean, Prez, Trane, Rollins, Getz, Shorter, Henderson, Dexter and Brecker, Hank Mobley is the tenor player I listen to more than any other (were Sonny Stitt exclusively a tenor player, his recordings would be a close second, with Harold Land, Charlie Rouse, Oliver Nelson and Paul Gonsalves in the 3rd spot). Mobley doesn't so much "impress" as "seduce" the listener with ceaselessly melodic, lyrical, soulful inventions each time out. He was no "innovator" or trailblazer. Nor, like so many "showier" tenors, did he introduce "artifacts" into his sound–wobbles, growls, squeals and screeches, etc., approaches as common during the '30s and '40s as in the adventurous experimentation of modal and free players in the '60s and beyond.
Midnight Ramble, released in 1983 on Milestone, was saxophonist Hank Crawford's return to recording after a four-year break following his departure from Kudu. It was the beginning of a decades-long relationship with the prestigious jazz label. Crawford, a veteran of Ray Charles, had long been associated with soul-jazz groove-oriented music. On this date, he delivers a solid, straight-ahead session with some notable surprises. The first is that he plays not only his trademark alto saxophone, but also electric piano. Next is his rhythm section: Dr. John on piano and organ, Charles "Flip" Greene on bass, guitarist Calvin Newborn (brother of Phineas), and stone-cold soul-jazz drummer Bernard Purdie. But that isn't all. Crawford also includes five other horns: two trumpets, trombone, bass saxophone, and David "Fathead" Newman on tenor. Needless to say, Crawford's idea of "straight-ahead" still contains plenty, plenty soul. The program is solid, top to bottom; it's amiable, relaxed, and deeply rooted in the blues.
One more surprise from DJA, a complete never-before-heard performances by Hank Mobley, backed by Dutch players in three different sets taped live at the Bellevue theater in Amsterdam, at VARA studio in Hilversum and at the JazzClub B14 in Rotterdam. Mobley is accompanied by the brilliant pianist Pim Jacobs and drummer wizard Han Bennink in its only known collaboration to date.