Set the time machine for early morning on KSIB, Creston, Iowa. February, 1950. Hot on the heels of the collectable 10' vinyl Record Store Day EP Omnivore Recordings is proud to present The Garden Spot Programs, 1950, featuring 24 performances, unheard for 64 years, from the one and only Hank Williams! Rescued from obscurity, these shows originally aired over 6 decades ago, and The Garden Spot Programs, 1950 collects material from the four of them now known to exist. From hits to standards to songs rarely (if ever) performed, this is pure Hank Williams, including playful, between song banter. Fully restored to incredible quality, The Garden Spot Programs, 1950 is more like being in the studio when they were recorded than actually listening to them on the radio!
English guitar legend Hank Marvin inspired a generation of British post-war guitarists with his smooth, plectrum-based guitar lines. Backing Cliff Richard with his band The Shadows, Hank's guitar playing inspired The Beatles and a generation of British groups starting out in the 1960s. This album sees Hank performing a plethora of songs from the big screen, both recent and vintage. All are flawlessly executed with the smooth melodic perfection that audiences have come to expect from Hank. This album contains a wide range of material–"The Sound of Silence" from The Graduate, "My Heart Will Go On" from Titanic, "How Deep Is Your Love?" from Saturday Night Fever and "A Kiss From A Rose" from Batman Forever. Hank purists will enjoy the James Bond Medley containing the James Bond theme, plus music from You Only Live Twice, From Russia With Love and On Her Majesty's Secret Service.
Hank Marvin, mostly playing a Favino acoustic guitar (and, occasionally, the "Hank Marvin"-model Fender Stratocaster), turns in some delightful work on this 58-minute CD, supported by players including Ben Marvin on guitar, Ray Martinez on bass, Gary Taylor on rhythm guitar, and Ric Eastman on drums. The music ranges across the decades from the 1950s to the 1970s – the virtuosity is beyond question and the arrangements on familiar fare such as "Sunny Afternoon," "American Pie," "Ticket to Ride" and "Eleanor Rigby" bring out some unexpected attributes to the songs, as well – only "Your Song" does what one would expect in its arrangement, and that tune is so pretty that one would never want to deviate too far from the basics on it. Some of the original tunes are less than memorable melodically, but the playing is always interesting enough to hold the listener, and one of them, "A Tall-A Tall Dark Stranger" could have made a good single two or three decades ago, with its rippling double-lead guitar parts.