Bernard Haitink's classically clear and direct approach combines élan, elasticity and, where appropriate, tremendous rhythmic punch – his readings of Boléro and La valse are volatile, yet thrillingly disciplined to the last. He brings a natural compulsion to the languorous eroticism of Daphnis et Chloé Suite No. 2, while his idiomatic handling of the earliest (and slightest) of these works, the Menuet antique and familiar Pavane pour une infante défunte, is equally beguiling. Haitink's painstaking attention to fine orchestral detail adds refined distinction to his Valses nobles et sentimentales and crystalline delicacy to both Le tombeau de Couperin and the more elusive Ma mère l'oye. There are few more vibrantly evocative, or palpably exciting versions of the Rapsodie espagnole and Alborada del gracioso. Don't be in the least surprised, however, if the phenomenal sound quality prompts an incredulous second glance at the recording dates quoted in the booklet!
Dmitri Dmitriyevich Shostakovich was a Russian composer and pianist. He is regarded as one of the major composers of the 20th century.
The founding of the Berliner Philharmoniker on the first of May in 1882, is annually celebrated with a concert in a European city of cultural significance. For this newly released EUROPAKONZERT Blu-ray Disc all recordings were lovingly restored and converted to High Definition video. The Berliner Philharmoniker are joined for Mozart’s Motet and Mass on this recording by Christine Schäfer, whose unique timbre and performing style has more than once been likened to those of other vocal greats such as Irmgard Seefried and Elisabeth Schwarzkopf. This round of exceptional musicians is completed by Emanuel Ax, winner the Arthur Rubinstein International Piano Master Competition, as the soloist for the works of Chopin and Schumann.
Shostakovich’s atmospheric Eleventh Symphony recounts the events surrounding the First Russian Revolution of 1905, while reflecting on the brutality of the later Soviet regime. Its cinematic depiction of winter cold and military might is utterly compelling, and never more so than under the baton of the composer’s friend Mstislav Rostropovich.