Natural Boogie is the second studio album released by Hound Dog Taylor and his band The HouseRockers. Released on Alligator Records in 1974, it was the follow up to their 1971 debut album Hound Dog Taylor and the HouseRockers. Natural Boogie was recorded at Sound Studios in Chicago, and produced by Hound Dog Taylor and Bruce Iglauer. It was Taylor's second album, and the last to be released during his lifetime…
As the debut act on the fledgling Alligator label, Hound Dog Taylor obviously holds a hallowed place in owner Bruce Iglauer's heart. That has resulted in more posthumous albums (three) from the raw boogie-blues man than "official" ones (two) released in his lifetime. And that's not including the Alligator tribute disc. Iglauer has returned to raid what must be some pretty threadbare vaults by now, to cobble together this 70-minute collection of live tracks, outtakes, and general leftovers. Fortunately, this barrel-scraping has turned up some real gems, although they are far rougher than what is already in Taylor's gritty, gutbucket rocking catalog.
A Record Store Day release. It's 78 rpm!
The Blues Masters series, much to Rhino`s credit, adopts an expansive definition of blues, allowing the likes of Count Basie, Blind Lemon Jefferson, Muddy Waters and even Louis Prima admission. There is none of the purist`s quibbling over strict 12-bar form or the relative significance of prewar and postwar styles.
What Rhino delivers instead is the blues in all its myriad guises. This music is old and new, black and white, acoustic and electric, folksy and jazzy, performed by women and men, and yet it is all still blues at its core.
CDs from this collection began to appear in the sale of one after the other in early 1998. The collection was designed primarily for fans of blues and those wishing to join him in France, Canada and other French-speaking countries, as its literary part was originally made in French and it seems and has not been translated into other languages.
More Music from the Rum Diary, the second collection of material from the 2011 film adaptation of Hunter S. Thompson's 1998 book, relies less on composer Christopher Young's jazzy, Caribbean-inspired score and more on selections from period players like Mantovani & His Orchestra, Ismael Rivera, Dick Dale & His Del-Tones, and Hound Dog Taylor & the Houserockers. The last six tracks on the collection are from Young, with Patti Smith providing vocals on one of two versions of "The Mermaid Song".