Harrison Georges

VA - George Fest: A Night To Celebrate The Music Of George Harrison (2016)

VA - George Fest: A Night To Celebrate The Music Of George Harrison (2016)
EAC Rip | FLAC (tracks+log+.cue) | 01:46:40 | 729 Mb
Rock | Label: BMG Rights Management, Vargant Records

The day after what would have been George Harrison's 73rd birthday, February 26, 2016, Hot Records Ltd. and Vagrant Records are proud to present George Fest: A Night To Celebrate The Music Of George Harrison. Recorded and filmed on September 28th, 2014 at the The Fonda Theater in Los Angeles. This wonderful live tribute will be available in 4 configurations including 2xCD/DVD, 2xCD/Blu-Ray, 3xLP (180 gram) and digital download.
Barbara Hendricks, Chœurs de Radio France, ONF, Georges Pretre - Francis Poulenc: Gloria; Stabat Mater (2006)

Francis Poulenc: Gloria; Stabat Mater (2006)
Barbara Hendricks, soprano; Chœurs de Radio France; Michel Tranchant, chorus master
Orchestre National de France, conducted by Georges Prêtre

EAC | WV | Image (Cue&Log) ~ 244 Mb | Mp3 (CBR320) ~ 161 Mb | Scans included
Classical, Choral, Vocal | Label: EMI Classics | # 0946 3 55688 2 0 | 00:59:20

Understandably, Poulenc's Gloria and Stabat Mater have almost invariably been coupled together on LPs and CDs. Similarly scored for solo soprano, chorus, and orchestra, the two works are arguably the twin peaks of Poulenc's sacred music, that is, they are irresistibly melodic, energetically rhythmic, directly emotional, conservatively harmonic, and fervently religious. That said, however, the difference in tone between the two works is as striking as their similarities. Where the Gloria is light, bright, and at times even funny, the Stabat Mater, as befits its subject matter, is dark, heavy, and always deeply sorrowful. In this pair of performances with Georges Prêtre leading the Orchestre National de France and the French Radio Choir from the '80s, both works are given the deluxe French treatment. Prêtre is as skilled at balancing his forces as he is at keeping the music moving, and, as importantly, he is as capable of expressing the Gloria's joyous wit as he is of articulating the Stabat Mater's profound suffering. But the real star of these performances is American soprano Barbara Hendricks whose clear, warm voice and excellent diction breath vibrant life into all Poulenc's glorious melodies.
Georges Delerue - L'Incorrigible (1975) + Va voir maman, papa travaille (1978) Bandes Originales du Films, Limited Edition 2011

Georges Delerue - 'The Incorrigible' (1975) + 'Your Turn, My Turn' (1978)
Original Soundtracks, 2LP in 1CD, Remastered Limited Edition 2011

EAC | FLAC (Image) + cue.+log ~350 Mb | Mp3, CBR320 kbps ~165 Mb | Scans included
Soundtrack, Score | Label: Music Box | # MBR-001 | Time: 01:03:20

Music Box Records is very proud to announce the release of L’Incorrigible / The Incorrigible (1975), directed by Philippe de Broca (a long-time collaboration over 30 years) and Va voir maman, papa travaille / Your turn, my turn (1978) directed by François Leterrier. These two soundtracks are available for the first time on CD in expanded editions with a new sequencing and a new sound mixing. The scores written for the movies of Philippe de Broca, whose qualities were long unknown to cinema enthusiasts and even to amateurs of the music of Georges Delerue, always oscillate between irony and tenderness. The score of L'Incorrigible is light, always ironic, never redundant with the image. The music for small orchestra takes tones sometimes of a detective movie, sometimes Andalusian, sometimes bucolic. A piano version of the love theme Tendre Marie-Charlotte played by Georges Delerue is included in this release. The music of Va voir maman, papa travaille (directed by François Leterrier) contains a romantic “modal color” characteristic of the work of Georges Delerue during the same period. This score is enhanced with several “pop-rock” pieces which sends back to what Georges Garvarentz, Michel Magne, Michel Colombier or François de Roubaix would produce at the same period. For Va voir maman, papa travaille, the CD offers a complete 30-minute score.
George Harrison - The Apple Years 1968-75 (2014) [7CD + DVD Box Set] Repost

George Harrison - The Apple Years 1968-75 (2014)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
G.H. Estate 0602537913879 | ~ 2215 or 886 Mb | Scans(jpg) -> 207 Mb
DVD5: NTSC 4:3 (720x480) VBR | DTS, 6 ch / LPCM, 2 ch / AC3, 6 ch
Psychedelic Rock, Experimental, Electronic, Rock, Pop Rock

Arriving ten years after The Dark Horse Years: 1976-1992, The Apple Years: 1968-75 offers the first act of George Harrison's solo career presented in a handsomely produced, impeccably remastered box set. The outside packaging mirrors The Dark Horse Years but the discs housed inside the box show a greater attention to detail than the previous set: each of the albums is presented as a paper-sleeve mini-LP replicating the original album art (Extra Texture does indeed have extra texture on its sleeve), while the brief hardcover book contains perhaps the glossiest paper to ever grace a rock music box set…
Georges Delerue ‎- La Passante Du Sans-Souci / Garde À Vue [Limited Edition, Remastered] (1982/2016)

Georges Delerue - La Passante du Sans-Souci - Garde à Vue (1982/2016)
EAC Rip | Quality: FLAC (tracks, .cue, .log, Scans) | 51:42 min | 287 MB
Score, Soundtrack | Label: Music Box Records

In collaboration with EMI Music Publishing, Music Box Records is pleased to present on CD the two soundtracks composed by Georges Delerue for Romy Schneider's last films: Claude Miller's Garde à vue (Under Suspicion, 1981), adapted from the novel by John Wainwright (Brainwash) and Jacques Rouffio 's La Passante du Sans-Souci (The Passerby, 1982), adapted from the 1936 novel by Joseph Kessel.
Georges Brassens - Le Temps Ne Fait Rien A L'affaire: Best Of (30ème Anniversaire) (2011)

Georges Brassens - Le Temps Ne Fait Rien A L'affaire: Best Of (30ème Anniversaire) (2011)
EAC Rip | FLAC (tracks+log+.cue) | Scans included | 02:35:10 | 723 Mb
Chanson | Label: Universal Music France, Mercury Records

Georges Brassens was a French singer-songwriter and poet. He wrote and sang, with his guitar, more than a hundred of his poems, as well as texts from many others such as Victor Hugo, Paul Verlaine, or Louis Aragon. In 1967, he received the Grand Prix de Poésie of the Académie française. Between 1952 and 1976, he recorded fourteen albums that include several popular French songs such as Les copains d'abord, Chanson pour l'Auvergnat, La mauvaise réputation, and Mourir pour des idées. Most of his texts are black humour-tinged and often anarchist-minded.

Nicole Harrison by Nick Suarez  Girls

Posted by nrg at April 23, 2018
Nicole Harrison by Nick Suarez

Nicole Harrison - Nick Suarez Photoshoot
10 jpg | up to 750*1000 | 477 KB
Australian model

Harrison Principios De Medicina Interna, VOL 1- 2 (18 ed)  eBooks & eLearning

Posted by arundhati at April 19, 2018
Harrison Principios De Medicina Interna, VOL 1- 2 (18 ed)

Dan Longo, Dennis Kasper, Larry Jameson, "Harrison Principios De Medicina Interna, VOL 1- 2 (18 ed)"
2012 | Spanish | ISBN-10: 6071507278 | 3920 pages | PDF | 53 + 50 MB

Kate Harrison and Emily Labowe by Ali Mitton  Girls

Posted by nrg at April 15, 2018
Kate Harrison and Emily Labowe by Ali Mitton

Kate Harrison & Emily Labowe - Ali Mitton Photoshoot
20 jpg | up to 5500*3000 | 13.32 MB
American models

Donald Harrison - Free Style (2002) {Nagel Heyer 2059 rel 2004}  Music

Posted by ruskaval at April 13, 2018
Donald Harrison - Free Style (2002) {Nagel Heyer 2059 rel 2004}

Donald Harrison - Free Style (2002) {Nagel Heyer 2059 rel 2004}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 445 Mb | MP3 @320 -> 152 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 2002, 2004 Nagel Heyer Records | nagel heyer 2059
Jazz / Post Bop / Saxophone

Donald Harrison plays quite well throughout this set, displaying a distinctive tone and a consistently creative style within the genre of straight-ahead jazz. All but the last two selections feature him accompanied by bassist Vicente Archer and drummer John Lamkin, both of whom stay very much in the background, often playing repetitive and somewhat dull figures. Pianist Glenn Patscha is on three numbers without making an impression, while the final two songs have Harrison joined by Ron Carter and Billy Cobham.