It may be rash to claim that the French pianist Monique Haas (1909-1987) never made a bad recording, but you won't find one among her complete DG sessions. Dating from the late 1940s up to 1965, the recordings have been transferred from scratch, and they sound remarkably well for their respective vintages. The repertoire is diverse and unhackneyed, ranging from Mozart piano duets (with Heinz Schröter) and K. 449 and K. 488 concertos, rare Haydn gems (the E-flat Arietta with Variations and the Fantasia in C major), and the Stravinsky Capriccio, to Hindemith's Concert Music for piano, brass and harps (with the composer conducting), and a substantial sonata by Marcel Mihalovici (the pianist's husband) featuring violinist Max Rostal.
Chamber music has always formed the heart of Maria João Pires’s musicianship. Indeed, she has often commented that she is happier working with others than performing on her own. “Not sharing a stage is very difficult for me,” she once remarked (in an interview for ArtsJournal in 2012) “You are apart from the group, apart from community, apart from everything. You become different and special. And, if you become different and special, you’re alone.”
The String Quartet No. 1 in D major, Opus 11, was Pyotr Ilyich Tchaikovsky's first completed string quartet of three string quartets, published during his lifetime. (An earlier attempt had been abandoned after the first movement had been completed.) Composed in February 1871, it was premiered in Moscow on 16/28 March 1871 by four members of the Russian Musical Society: Ferdinand Laub and Ludvig Minkus, violins; Pryanishnikov, viola; and Wilhelm Fitzenhagen, cello.
This release - set for March 2017 - is a piece of history: it is a combination of unreleased and historic audio and visuals. It allows a unique view of the enigmatic maestro Grigory Sokolov’s life because it offers an opportunity to hear authentic performances from over ten and even twenty years ago accompanied by a brand-new film by Nadia Zhdanova.
…A really amazing album, full of creative energy and impeccable performances by the Fauré Quartett (Erika Geldsetzer on violin, Sascha Frombling on viola, Konstantin Heidrich on cello & Dirk Mommertz on piano), featuring unpredictable chamber arrangements - by the likes of Peter Hinderthur, Wieland Reissman and producer Sven Helbig - of pop tunes. Gorgeous sound quality for a perfect album!
To celebrate the legendary David Oistrakh, for many, one of the greatest violinists ever, Deutsche Grammophon presents a 22-CD box set which brings together for the first time all his recordings for DG, Decca, Philips & Westminster/Melodiya.
…Whatever reservations one might harbor about this or that individual performance, it is unlikely that this set as a whole will be surpassed in the near future. It belongs in every serious music library, private or public.
Almost four hours of music constitutes exceptional value especially when, tucked away among a selection of Mazurkas, is Chopin's early "Variations on a German National Air". Vásáry charms you into wondering why it is so rarely heard.
This set offers Chopin's most famous and best loved piano expertly played by Tamas Vasary.
Tamás Vásáry (born August 11, 1933, Debrecen, Hungary) is a Hungarian pianist. Vásáry gave his first public performances at the age of 8. He studied with Ernő Dohnányi and Józef Gát at the Franz Liszt Academy of Music in Budapest, and was later assistant there to Zoltán Kodály, who made him a gift of a Steinway piano.