The Originals Series offers listeners the opportunity to explore key albums from the Yellow Labels LP era and experience the power and passion of performances by a host of visionary artists. Now DG welcomes ten new titles to the range, including some of Karl Böhms recordings of Mozart wind concertos which have always been considered among the best. Here, the Wiener Philharmoniker principal Gunter Hogner demonstrates his skill and agility on the Viennese horn in Mozarts four horn concertos. Günter Högner plays with much character, and no-one will be disappointed with the DG issue, which is beautifully recorded and has splendid accompaniments from the WP under Böhm.
It may be rash to claim that the French pianist Monique Haas (1909-1987) never made a bad recording, but you won't find one among her complete DG sessions. Dating from the late 1940s up to 1965, the recordings have been transferred from scratch, and they sound remarkably well for their respective vintages. The repertoire is diverse and unhackneyed, ranging from Mozart piano duets (with Heinz Schröter) and K. 449 and K. 488 concertos, rare Haydn gems (the E-flat Arietta with Variations and the Fantasia in C major), and the Stravinsky Capriccio, to Hindemith's Concert Music for piano, brass and harps (with the composer conducting), and a substantial sonata by Marcel Mihalovici (the pianist's husband) featuring violinist Max Rostal.
The String Quartet No. 1 in D major, Opus 11, was Pyotr Ilyich Tchaikovsky's first completed string quartet of three string quartets, published during his lifetime. (An earlier attempt had been abandoned after the first movement had been completed.) Composed in February 1871, it was premiered in Moscow on 16/28 March 1871 by four members of the Russian Musical Society: Ferdinand Laub and Ludvig Minkus, violins; Pryanishnikov, viola; and Wilhelm Fitzenhagen, cello.
Given the depth, range and quality of the Deutsche Grammophon catalogue, it’s hardly been difficult to put together another anthology of great recordings and great artists. The structure is as before – here are 53 original albums (including three double-sets), featuring the great names of Deutsche Grammophon’s recording history, presented, once more, in alphabetical order of artist. Claudio Abbado leads off with a complete Carmen and Krystian Zimerman rounds off with his memorable account of the Chopin Ballades.
This 6-CD set captures Dietrich Fischer-Dieskau and Daniel Barenboim in some of their most significant recordings together and features the astonishingly beautiful and highly regarded lieder of Hugo Wolf.
After the great success of her DG debut Traveller which spent 6 weeks in the top 10 of the Billboards World Music chart and received a Grammy nomination, Anoushka Shankar returns with another outstanding recording: Traces of You, featuring three new songs with her half-sister, Norah Jones. Produced by British composer and multi-instrumentalist Nitin Sawhney, Traces of You features contributions by Anoushkas longtime associates: tabla genius Tanmoy Bose, flutist Ravichandra Kulur, and percussion wizard Pirashanna Thevarajah. Other highlights are a musical exploration of the unique sound of the Hang drum, played by its foremost exponent, Manu Delago.
It is all too easy to take Gustav Mahler's symphonies and orchestral songs for granted in the 21st century's first decade. More than ever before, concert performances and recordings of these works abound, and at a level of proficiency that reveals the remarkable extent to which musicians worldwide have assimilated the composer's idiom. Given the music's primacy in today's central orchestral repertoire, we forget how the great Mahler advocates of the past had to champion his music in the face of adversity. "Who can bear those monstrous symphonies, those over-blown, out-of-date horrors," asked one leading music critic when the New York Philharmonic launched a Mahler Festival to celebrate the composer's 1960 centenary.
Narciso Yepes was one of the finest virtuoso classical guitarists of the twentieth century, generally ranked second after Andrés Segovia.
This release - set for March 2017 - is a piece of history: it is a combination of unreleased and historic audio and visuals. It allows a unique view of the enigmatic maestro Grigory Sokolov’s life because it offers an opportunity to hear authentic performances from over ten and even twenty years ago accompanied by a brand-new film by Nadia Zhdanova.