Grammophon Waldstein170

Tómas Luis de Victoria (1548–1611) - Sacred Works - Ensemble Plus Ultra, Michael Noone (2011) {10CD Set Deutsche Grammophon}

Tómas Luis de Victoria (1548–1611) - Sacred Works - Ensemble Plus Ultra, Michael Noone (2011) {10CD Set Deutsche Grammophon}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 2.86 Gb | MP3 @320 -> 1.56 Gb
Full Artwork @ 300 dpi -> 28 Mb | 5% repair rar
© 2011 Deutsche Grammophon / ARCHIV Produktion | 0289 477 9747
Classical / Renaissance / Choral

Although the large box and the Sacred Works title might lead you to expect a complete collection of Tomás Luis de Victoria's sacred music, that's not what it is, and in fact some famous pieces, such as the Requiem in six parts, are not included. Instead, conductor Michael Noone lists the criteria for inclusion as follows: the collection focuses on works Victoria composed in Madrid, works that are preserved in manuscripts, works or versions of works that have never been recorded, and works involving an organ or winds, or written in sections that alternate with chant.
Leonard Bernstein - Mahler: Complete Recordings on Deutsche Grammophon Vol. III (2005) (5CD Box Set)

Leonard Bernstein - Mahler: Complete Recordings on Deutsche Grammophon Vol. III (2005) (5CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 1.17 Gb | MP3 CBR 320kbps | 5CDs | 608 mb
Classical | Label: Deutsche Grammophon - 00289 477 5187

Bernstein leads the Wiener Philharmoniker and the Royal Concertgebouw Orchestra through Mahler's Symphonies Nos. 8-10 and Das Lied von der Erde . Special highlight: the breathtaking vocals on Symphony of a Thousand !
Leonard Bernstein - Mahler: Complete Recordings on Deutsche Grammophon Vol. II (2005) (5CD Box Set)

Leonard Bernstein - Mahler: Complete Recordings on Deutsche Grammophon Vol. II (2005)
EAC Rip | FLAC (tracks+.cue, log) | Artwork | 1.22 Gb | MP3 CBR 320kbps | 5CDs | 677 mb
Classical | Label: Deutsche Grammophon - 00289-477-5181

Bernstein conducts Mahler's Symphonies Nos. 5-7; Ruckert Lieder, and Kindertotenlieder with the New York Philharmonic and the Wiener Philharmoniker. Nobody interprets Mahler like the brilliant Bernstein!
Argerich, Kremer, Maisky - The Complete Duo Recordings (2012) {13CD BoxSet Deutsche Grammophon 477 9524}

Argerich, Kremer, Maisky - The Complete Duo Recordings (2012) {13CD BoxSet Deutsche Grammophon 477 9524}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.25 Gb | MP3 @320 -> 1.97 Gb
Full Artwork @ 300 dpi (png) -> 153 Mb | 5% repair rar
© 2012 Deutsche Grammophon / Universal | 477 9524
Classical / Chamber Music / Piano / Violin / Cello

Martha Argerich's associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist’s most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order. Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.
Herbert von Karajan - Complete Recordings on Deutsche Grammophon (2008) (240 CDs Box Set)

Herbert von Karajan - Complete Recordings on Deutsche Grammophon (2008) (240 CDs Box Set)
EAC Rip | FLAC (Image+.cue, log) | 240 CDs, 255:34:35 min | 65,4 Gb | Scans -> 696 mb
Genre: Classical / Label: Universal Music

Karajan’s Deutsche Grammophon complete recordings is recorded on chronological order. From the “Magic Flute” overture of the 1938 recording used as first recording to the recording of the last in 1989, and the Symphony No.7 of Bruckner. There is no selling separately. It becomes ordering limited production.
Max Richter - Infra (2017) {Deutsche Grammophon 0289 479 7006 rec 2010 - bonus track}

Max Richter - Infra (2017) {Deutsche Grammophon 0289 479 7006 rec 2010 - bonus track}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 205 Mb | MP3 @320 -> 97 Mb
Artwork @ 300 dpi (png) -> 27 Mb | 5% repair rar
© 2010, 2017 Deutsche Grammophon | 0289 479 7006
Classical / Contemporary Classical / Post-minimalism / Ambient / Piano / Electronica

DG presents the third physical release from Max Richter's Retrospective catalog, Infra. Written for piano, electronics and string quartet, Infra is an expansion on Richter's score for Wayne McGregor's ballet of the same name that was created as a response to the London bombings on 7/7. Infra follows Richter's latest album, Three Worlds: music from Woolf Works, an album featuring his score for another McGregor ballet, Woolf Works. This CD version of Infra features the bonus track, "Sub Piano."
Various Artists - 50 Piano Masterworks (2017) {3CD Set Deutsche Grammophon 0289 482 8045 2}

Various Artists - 50 Piano Masterworks (2017) {3CD Set Deutsche Grammophon 0289 482 8045 2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 793 Mb | MP3 @320 -> 523 Mb
Artwork @ 300 dpi (png) -> 11 Mb | 5% repair rar
© 2017 Deutsche Grammophon | 0289 482 8045 2
Classical / Piano

Deutsche Grammophon, home to the greatest pianists, presents a collection of the most essential piano masterworks – a collection of the most beautiful, exciting and moving pieces for piano; presenting the world’s best composers, popular works, and outstanding performances from Deutsche Grammophon’s unrivalled roster of pianists: from the greats – Horowitz, Gilels, Richter, Argerich – to the younger generation: Seong-Jin Cho, Alice Sara Ott, Vikingur Ólafsson, Hélène Grimaud, Yuja Wang. Also represented are the new faces of composition – Max Richter and Ludovico Einaudi.
Martha Argerich - Early Recordings (2016) {2CD Deutsche Grammophon 0289 479 5978 6}

Martha Argerich - Early Recordings (2016) {2CD Deutsche Grammophon 0289 479 5978 6}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 349 Mb | MP3 @320 -> 216 Mb
Full Artwork @ 300 dpi (png) -> 140 Mb | 5% repair rar
© 2016 Deutsche Grammophon | 0289 479 5978 6
Classical / Piano

Most of these recordings were made in 1960, when the pianist Martha Argerich was just 18; there is a fearsomely proficient Prokofiev Piano Sonata No. 7 in B flat major, Op. 83, from seven years later, after Argerich had won the Chopin Piano Competition and was on her way to stardom. The recordings are taken from radio broadcasts that are quite good sonically by 1960 standards, and they give abundant evidence of why those in the know spotted the young Argentine and began to give her bigger opportunities.
Vladimir Horowitz - Complete Recordings on Deutsche Grammophon (2003) (6 CD Box Set)

Vladimir Horowitz - Complete Recordings on Deutsche Grammophon (2003) (6 CD Box Set)
EAC Rip | APE (Image+.cue, log) | 6 CDs, 05:43:49 min | 980 mb | Scans => 16,5 mb
Genre: Classical, Baroque, Romantic / Label: Deutsche Grammophon

At the end of his life, Horowitz had chosen to record for Deutsche Grammophon. The Hamburg label reissues all of its recordings, 6 CDs, commemorating the centenary of the birth of the pianist.
Stravinsky - Petrouchka (original 1911 version) - LSO, Abbado (1981) {Deutsche Grammophon 400 042-2}

Stravinsky - Petrouchka (original 1911 version) - LSO, Abbado (1981) {Deutsche Grammophon 400 042-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 145 Mb | MP3 @320 -> 81 Mb
Full Artwork @ 300 dpi (png) -> 65 Mb | 5% repair rar
© 1981 Polydor / Deutsche Grammophon | 400 042-2
Classical / Early 20th Century

Abbado's splendid Petrushka was among the very first CDs to be reviewed in these pages. Robert Layton extended a warm welcome in March 1983. The fact that it appeared with no coupling didn't seem to bother him unduly at the time; I've no doubt that it would today. … The Petrushka is full of sensitive and dramatic detail: I don't know of a more intense account of the poignant scene in Petrushka's tiny backstage cell—all shadow and nervous apprehensiveness. Nor have we seen any more clearly into the elaborate texturing of the outer tableaux (this is the more lavishly scored original version); the tactility of the inner-part writing is constantly arresting. Vividly and imaginatively characterized, these performances are shining examples of Abbado's best work with the LSO. (from the review of the Mussorgsky/Stravinsky reissue DG 423901)