The instrumental, multimedia Montreal group Godspeed You! Black Emperor creates extended, repetition-oriented chamber rock. The minimal and patient builds-to-crescendo of the group's compositions results in a meditative and hypnotic listen that becomes almost narrative when combined with found-sound splices and the films of their visual collaborators. Collection includes: 'F#A#∞' (1998); 'Slow Riot For New Zero Kanada E.P.' (1999); 'Lift Yr. Skinny Fists Like Antennas To Heaven!' (2000) 2CD; 'Yanqui U.X.O.' (2002); 'Allelujah! Don't Bend! Ascend!' (2012); 'Asunder, Sweet And Other Distress' (2015).
God Speed You! Black Emperor is a 1976 Japanese black-and-white 16 mm documentary film, by director Mitsuo Yanagimachi, which follows the exploits of young Japanese motorcyclists, the "Black Emperors". The 1970s in Japan saw the rise of a motorcycling movement called the bōsōzoku, which drew the interest of the media. The movie follows a member of the "Black Emperors" motorcycle club and his interaction with his parents after he gets in trouble with the police.
Born in Montreal, Quebec, Canada, A Silver Mt. Zion (just one of its many names) came to life in 1999 as a project for Godspeed You! Black Emperor member Efrim Menuck in his attempt to learn to score music. The original idea was pushed aside, and the project would go on to become a group setting, and was more in touch with the idea of the organic growth and exploration of music than the heavily composed and arranged theoretical work of Godspeed. Inspired to record an album of the music that had been made, Menuck built up the first version of A Silver Mt. Zion, taking on violinist Sophie Trudeau and bassist Thierry Amar, both known as collaborators in the Godspeed family. The band made its live debut in 1999 and released its first album, He Has Left Us Alone But Shafts of Light Sometimes Grace the Corner of Our Rooms…, on Constellation in 2000. Still known as A Silver Mt. Zion, the band expanded its membership in 2000 – adding cellist Beckie Foon, guitarist Ian Ilavsky, and violinist Jessica Moss – which led to the first of many name changes.
The Winchester Club's decade-plus career has been gathering exponential steam of late. After wasting several years in near inactivity and repeatedly botched, even misplaced, recordings, the London-based shoegazers finally completed their independently released debut album, Brittania Triumphant, in 2007, then saw it reissued to great acclaim by the Exile on Mainstream label amidst tours in support of A Whisper in the Noise and Neurosis, plus a Roadburn festival appearance: not too shabby. Now the group simply have to prove that this sudden buzz was no fluke, beginning with their sophomore effort, Negative Liberty, which emerged in summer 2011 and reportedly drew inspiration from the cult BB2 documentary series The Trap, which, needless to say, may exclude listeners who have yet to watch the show from some of the conversation…
Portland experimentalists whose singular sound touches on psychedelia, modal music, hard rock, and dub. Collection includes: The Burden Of Hope (2003); Redlight (2004); Interpretations Of Three Psychedelic Rock Songs From Around The World (2005); Black Tar Prophecies vol's 1, 2, & 3 (2006); Burning Off Impurities (2007); Doomsdayer's Holiday (2008); Take Refuge In Clean Living (2008); Deep Politics (2011).
Les Revenants is an original soundtrack album by Mogwai, for the French TV series of the same name. Mogwai were initially contacted by producers of the television show, and asked to begin producing music after reading only a few translated scripts. An extended play of the soundtrack, Les Revenants EP, was released in 2012, and the full album was released on 25 February 2013.