This compilation of the recorded collaborations between guitarist Robert Fripp and producer/conceptualist/musician Brian Eno is taken from two album-length recordings made for the Island subsidiary Antilles in 1974 and 1975, No Pussyfooting and Evening Star, with an unreleased 1979 session added on. "The Heavenly Music Corporation" and "Swastika Girls," totaling 39 minutes, make up the whole of No Pussyfooting. Both of these pieces are slowly evolving reel-to-reel tape experiences that are hypnotic and remain revelatory decades later.
Initial two CD pressing , with one disc running continuously while the other will have individual tracks. Subsequent pressings will contain one disc with tracks running individually. 2007 collection of previously unreleased works of startling genius! Music composed and performed by Robert Fripp and Brian Eno. Fans know that the duo has been one of the most innovative and intriguing, not to mention ground-breaking, musical partnerships of the last thirty years, beginning with their first release of No Pussyfooting, to the more recent Equatorial Stars.
Alongside Yes, Emerson Lake & Palmer and Genesis, King Crimson has been one of the most emblematic British progressive rock bands of all time. Always creatively led by Robert Fripp, the group has gone through numerous member changes and sound mutations. After several years of hard work, Music Brokers is proud to present The Many Faces Of King Crimson, an album where we will find hard to find works and lesser known projects from most of the members that at some point were part of the band. The Many Faces Of King Crimson is a monumental project, a triple album where we can listen to the solo work of drummer Andy McCulloch, lyricist Pete Sinfield, bassist Boz Burrell, drummer Ian Wallace, singer and bassist Gordon Haskell…
Robert Fripp's "1999" CD from 1994 was released during a time when the legendary guitarist was making a major comeback. King Crimson had returned after a decade-long absence and Fripp re-emerged with his first solo performances in almost as long. 1994 also marked the birth of Fripp's 'soundscaping' technique which was and still is an extension of his 'Frippertronic' experiments of the 1970's and '80's. Instead of using two tape machines as had been the norm with 'Frippertronics', Soundscapes utilized digital technology and guitar-synthesizers to create and loop the endless mass of sound created by Fripp from his guitar. The idea was not a new one but the sound definitely was.