Geoffrey Hill

Passion and Precision: Collected Essays on English Poetry from Geoffrey Chaucer to Geoffrey Hill

A. V. C. Schmidt - Passion and Precision: Collected Essays on English Poetry from Geoffrey Chaucer to Geoffrey Hill
Published: 2015-02-01 | ISBN: 1443871850 | PDF | 475 pages | 2.15 MB

Annotations to Geoffrey Hill’s Speech! Speech!  eBooks & eLearning

Posted by Nice_smile) at Feb. 17, 2017
Annotations to Geoffrey Hill’s Speech! Speech!

Annotations to Geoffrey Hill’s Speech! Speech! by Ann Hassan
English | 2012 | ISBN: 1468129848 | 292 Pages | PDF | 13.92 MB

Visionary Philology: Geoffrey Hill and the Study of Words  eBooks & eLearning

Posted by interes at Jan. 20, 2016
Visionary Philology: Geoffrey Hill and the Study of Words

Visionary Philology: Geoffrey Hill and the Study of Words by Matthew Sperling
English | 2014 | ISBN: 019870108X | 224 pages | PDF | 1,5 MB

Geoffrey Hill and his Contexts  eBooks & eLearning

Posted by ksveta6 at Jan. 6, 2015
Geoffrey Hill and his Contexts

Geoffrey Hill and his Contexts (Modern Poetry) by Piers Pennington, Matthew Sperling
2011 | ISBN: 3034301855 | English | 258 pages | PDF | 2 MB

Acceptable Words: Essays on the Poetry of Geoffrey Hill  eBooks & eLearning

Posted by tarantoga at Dec. 29, 2014
Acceptable Words: Essays on the Poetry of Geoffrey Hill

Jeffrey Wainwright, "Acceptable Words: Essays on the Poetry of Geoffrey Hill"
ISBN: 0719067545, 0719067553 | 2013 | EPUB | 176 pages | 2 MB

Shades of Authority: The Poetry of Lowell, Hill and Heaney  eBooks & eLearning

Posted by interes at April 19, 2017
Shades of Authority: The Poetry of Lowell, Hill and Heaney

Shades of Authority: The Poetry of Lowell, Hill and Heaney by Stephen James
English | 2008 | ISBN: 1846311179 | 256 pages | PDF | 1 MB
Philharmonia Orchestra, Geoffrey Mitchell Choir, David Parry - A Hundred Years of Italian Opera (1820-1830) (1995)

Philharmonia Orchestra, Geoffrey Mitchell Choir, David Parry - A Hundred Years of Italian Opera (1820-1830) (1995)
EAC | FLAC (image+.cue, log) | Covers Included | 03:42:15 | 1 Gb
Genre: Classical, Opera | Label: Opera Rara | Catalog: ORCH104

The "100 Years of Italian Opera" series released by Opera Rara is unique in the annals of opera recordings. However, this installment is especially exciting as it documents the evolution of Italian opera during the 1820's, the decade when romanticism truly began to come into its own on the operatic stage. Opera Rara has lovingly compiled a variety of arcana written by composers famous and forgotten. Included is everything from overtures to arias, duets, ensembles, and entire scenes.
Geoffrey Tozer, LPO, Neeme Jarvi - Peter Ilyich Tchaikovsky: Piano Concerto No.3; Symphony No.7 (1993)

Peter Ilyich Tchaikovsky: Piano Concerto No.3; Symphony No.7 (1993)
Geoffrey Tozer, piano; The London Philharmonic; Neeme Järvi, conductor

EAC | FLAC | Image (Cue&Log) ~ 255 Mb | Mp3 (CBR320) ~ 137 Mb | Scans included
Genre: Classical | Label: Chandos | # CHAN 9130 | Time: 00:57:22

The Tchaikovsky Piano Concerto No. 3 is rarely heard, though it is a finely crafted work worth greater attention. It has suffered alongside the magnificent and superior Second and the ever-popular First. Moreover, it is not a bona fide concerto at all, the composer having completed only the first movement before his sudden death in 1893. Contrary to the suggestion of a few, it is highly unlikely he intended to produce a one-movement concerto. Tchaikovsky wrote two other piano pieces the same year bearing the titles "Andante" and "Finale," respectively. Following his death, Taneyev orchestrated these and attached them to the Concerto, though Tchaikovsky had left no indication they were to be a part of it. But the pair did share something in common with the completed first movement: a theme source – the incomplete Symphony No. 7. In any event, the opening movement of this Concerto is the most compelling, featuring an exuberant main theme whose first two notes are the central melodic element. An attractive slow melody is soon presented, followed by a theme of great vivacity and rhythmic drive.
Geoffrey Douglas Madge - Kaikhosru Sorabji: Opus Clavicembalisticum (1983) Remastered 1999, 5CD Box Set

Geoffrey Douglas Madge - Kaikhosru Sorabji: Opus Clavicembalisticum (1983)
Remastered 1999, 5CD Box Set
EAC | FLAC | Image (Cue&Log) ~ 949 Mb | Mp3 (CBR320) ~ 552 Mb | Scans ~ 72 Mb
Genre: Classical | Label: BIS | # BIS-CD-1062/1064 | Time: 03:59:13

A work with a name like this can only be unusual. The opus in question is a three-part solo piano epic, lasting a shade under four hours and of a complexity to match. Combine an all-night raga sequence with Bach's Art of Fugue and you're getting close. Is it worth the listen? Yes, if you want to give your heart and mind–not just your brain–a real workout. For all his outsize demands, Sorabji was a front-rank pianist, who understood technique as a physical end to spiritual means. There are stretches of manic complexity here, but also passages of real poetry: try the lengthy "Interludium primum" which opens Part 2, or many of the 81(!) variations which follow the magisterial "Passacaglia" in Part 3. It's music which cries out for transcendental virtuosity, and Geoffrey Douglas Madge gives it just that. He gave four performances over six years and this Chicago one from 1983 assumed mythic status among those who heard it. Remastered for CD release, it is awe-inspiring in its grasp of what's gone into this music: the audience clearly living it with the pianist every step of the way. Hear it for yourself, then why not run the marathon or climb Everest for relaxation?
The Randall Harrison Trio featuring Geoffrey Brady & Mark Urness - s/t (2006)

The Randal Harrison Trio featuring Geoffrey Brady & Mark Urness - s/t (2006)
EAC Rip | FLAC with CUE and log | scans | 435 mb
MP3 CBR 320kbps | RAR | 166 mb
Genre: jazz

The Randal Harrison Trio featuring Geoffrey Brady & Mark Urness is the 2006 album by The Randal Harrison Trio featuring Geoffrey Brady & Mark Urness. The trio is Harrison, Geoffrey Brady and Mark Urness plus special guests Geoffrey Brady and Mary Urness. It is a String Thing, the string in reference to his violin and "chin cello".