Genesis of a Music

Genesis Of A Music: An Account Of A Creative Work, Its Roots, And Its Fulfillments, Second Edition

Genesis Of A Music: An Account Of A Creative Work, Its Roots, And Its Fulfillments, Second Edition by Harry Partch
English | 1979 | ISBN: 030680106X | 544 pages | PDF | 256 MB

Nathalia Brodskaïa, "Le surréalisme : Genesis of a Revolution"  eBooks & eLearning

Posted by TimMa at Oct. 23, 2016
Nathalia Brodskaïa, "Le surréalisme : Genesis of a Revolution"

Nathalia Brodskaïa, "Le surréalisme : Genesis of a Revolution"
Parkstone | 2012 | ISBN: 1859950116 | French | EPUB | 256 pages | 65.1 Mb

Dépassant son admiration, Gerry Souter, auteur du remarquable Frida Kahlo, n'hésite pas à ramener Diego Rivera à une dimension humaine, en constatant ses choix politiques, ses amours, et « qu'au fond de lui bouillonnait le Mexique, langue de ses pensées, sang de ses veines, azur du ciel au-dessus de sa tombe.

Stravinsky's Piano: Genesis of a Musical Language  eBooks & eLearning

Posted by arundhati at June 30, 2016
Stravinsky's Piano: Genesis of a Musical Language

Graham Griffiths, "Stravinsky's Piano: Genesis of a Musical Language"
2013 | ISBN-10: 0521191785, 1316632172 | 354 pages | PDF | 8 MB

The Specious Origins of Liberalism: The Genesis of a Delusion  eBooks & eLearning

Posted by roxul at May 28, 2016
The Specious Origins of Liberalism: The Genesis of a Delusion

Anthony M. Ludovici, "The Specious Origins of Liberalism: The Genesis of a Delusion"
English | ISBN: 1507826281 | 2015 (reprint) | 208 pages | PDF conv | 1 MB

American Icons: The Genesis of a National Visual Language  eBooks & eLearning

Posted by DZ123 at April 17, 2015
American Icons: The Genesis of a National Visual Language

Benedikt Feldges, "American Icons: The Genesis of a National Visual Language"
English | 2007 | ISBN: 0415956358, 0415875501 | PDF | pages: 297 | 1,3 mb
Amanda Cerny - Posing on the set of a music video in Aruba September 16, 2014

Amanda Cerny - Posing on the set of a music video in Aruba September 16, 2014
26 JPG | up to 5000x3300 | 76,3 mb
Miss October 2011

Ground Zero: Genesis of a New World  Games

Posted by esculapio at July 2, 2006
Ground Zero: Genesis of a New World

Ground Zero: Genesis of a New World
Windows PC | 40MB | RTS Sci. Fiction

The player takes the role of the leader and has to build up a team – whatever action it may take. With the help of this team he has to take control of the world of Ground Zero. To achieve this he must conquer 20 different locations and protect them from his enemies. The leader can choose between 250 different equipments like weapons, armour, building materials and food. There are 3 different professions: mercenary, technician, and doctor.
Articulating Novelty in Science and Art: The Comparative Technography of a Robotic Hand and a Media Art Installation

Articulating Novelty in Science and Art: The Comparative Technography of a Robotic Hand and a Media Art Installation By Dr. Julian Stubbe
English | PDF |2017| 250 Pages| ISBN : 3658189789 | 11.3 MB

Julian Stubbe aims at characterizing what novelty is in the becoming of objects and how the new becomes part of a shared reality. The study’s method is comparative and concerned with technological practice in science as well as in art.

The Story of the Blues: The Making of Black Music  eBooks & eLearning

Posted by tarantoga at March 26, 2017
The Story of the Blues: The Making of Black Music

Paul Oliver, "The Story of the Blues: The Making of Black Music"
ISBN: 0712674926 | 1997 | EPUB | 218 pages | 19 MB
Elvin Jones - Genesis (1971) {2011 Music Matters 45RPM 2xLP} (24-96 vinyl rip)

Elvin Jones - Genesis (1971) {2011 Music Matters 45RPM 2xLP} (24-96 vinyl rip)
Vinyl rip @ 24/96 | FLAC | Scans | 827 MB | Label: Blue Note | USA pressing
Genre: jazz, post-bop | RAR 5% | Rec. CAT #MMBST 84369 / BST 84369 | 2011

The graphics are kind of dull on this late-period Blue Note LP, but the music is anything but boring. Elvin Jones' band had expanded during 1969-71 from a pianoless trio to a three-horn quintet. With Dave Liebman and the returning Joe Farrell on tenors and sopranos and Frank Foster contributing some tenor, alto flute and bass clarinet (bassist Gene Perla completes the group), it would not be an overstatement to call this a powerful unit. On five originals by band members (best-known is Jones' "Three Card Molly"), the musicians take long, heated solos that straddle the boundary between hard bop and the avant-garde. Their album (not yet out on CD) has plenty of invigorating music.