With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. Vaughan drew equally from bluesmen like Albert King, Otis Rush, and Muddy Waters and rock & roll players like Jimi Hendrix and Lonnie Mack, as well as the stray jazz guitarist like Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.
While 2002's Essential Stevie Ray Vaughan & Double Trouble is the place to go for the complete picture, Martin Scorsese Presents the Blues: Stevie Ray Vaughan works well as a nice single-disc introduction to the work of the influential blues guitarist. Perhaps a few more hits could have been included to make this more attractive to the curious buyer, but with a previously unreleased live version of "Mary Had a Little Lamb" and a track listing that dodges much of the 1995 Greatest Hits collection, this does offer an alternative for longtime fans.
By 1988, Stevie Ray Vaughan, newly clean and sober, was playing with more conviction and clarity than ever before. This positive new direction resulted in 1989's In Step, his fourth and final Epic studio recording with Double Trouble. In Step reveals a newfound sense of depth in SRV's songwriting. And his trademark aggressive guitar playing is imbued with a cathartic intensity that kicks the band up to another level. In Step won Stevie Ray his second Grammy Award for Best Contemporary Blues Recording and cemented his status as a guitar hero and an American music legend.
Released in October 1985, Soul To Soul was Stevie Ray Vaughan and Double Trouble's third studio album, and it took Vaughan's music one virtuoso step further, revealing a musician without limits. With this recording, Stevie Ray offered convincing proof that anything a guitarist can hear in his heart, he can create, in the next instant, with his instrument. Note for note, night to night, song to song, heart to heart, soul to soul.