Following the recent successful albums of his transcriptions of music by Philip Glass, pianist Michael Riesman presents a new album of solo transcriptions and arrangements from Philip Glass's opera Beauty and the Beast. In Glass's music, the power of the creative and the raw world of nature, represented respectively by Beauty and the Beast, finally emerges and allows the world of imagination to take flight.
Smokey Joe's Cafe is a musical revue showcasing 39 pop standards, including rock and roll, rhythm and blues songs written by songwriters Jerry Leiber and Mike Stoller. The Original Broadway cast recording, Smokey Joe's Cafe: The Songs Of Leiber And Stoller won a Grammy award in 1996.
The Nighthawks were founded in 1972 by vocalist/harmonica player Mark Wenner and guitarist Jimmy Thackery, and joined early on by bass player Jan Zukowski and drummer Pete Ragusa. Based in Washington, D.C., they built on their Chicago blues roots to create a unique musical repertoire that features blues, roots rock, rockabilly and soul. They became known as one of the hardest working and most popular blues bands as they toured nationally in the ‘70s and ‘80s, playing 300 shows a year from the mid-‘70’s to the mid-‘80’s.
This is an extraordinary album by a gifted musician. Of Aaberg's fine Windham Hill piano albums, Out of the Frame features many of his strongest and fully realized pieces...
The 40 tracks compiled on this two-disc set represent the entire span of pianist and singer Leroy Carr's recording career that spanned a brief seven years, from 1928-1935. The material represented here – all but one of these tracks were recorded for the Vocalion label – features accompaniment by guitarist Scrapper Blackwell on all but one selection, and Josh White on a handful as well. Carr's material here ranges from the classic piano blues of the era that spawned Ma Rainey and Bessie Smith to vaudeville and hokum tunes made popular by artists like Tampa Red and Georgia Tom. Carr's voice is the haunting thing here; it's higher and very clear, sweet almost, as evidenced by most of these sides. But there was an edge, too; one that belied a kind of pathos underneath even the most cheery material – check "Mean Mistreater Blues" or "Bread Baker." But the darker material such as "Suicide Blues" (one of six previously unissued performances), "Straight Alky Blues," or "Shinin' Pistol," is strange and eerie given Carr's smooth approach. Carr may not be the most well-known bluesman of the era, but his contribution is profound and lasting. This collection puts to shame almost all others with the exception of the multi-volume complete recordings on Document.