Originally released in 1973 on MCA, Budgie's third record, Never Turn Your Back on a Friend, was another slab of the band's signature plodding metal sound. Although they were never more than a cult band in the U.S., Budgie's popularity flourished in their native England, yet their influence was eventually felt by many notable American bands (Metallica, Soundgarden, Alice in Chains, etc.)…
"Ass" is the fourth studio album British rock band Badfinger, and their last to be released on Apple Records. The opening track, "Apple of My Eye", refers to the band leaving the label to begin its new contract with Warner Bros. Records. The cover artwork (showing a donkey chasing a distant carrot) alludes to Badfinger's feelings that they had been misled by Apple over the years. The cover was painted by Grammy Award-winning artist Peter Corriston, who would later create famous album covers for Led Zeppelin (Physical Graffiti) and the Rolling Stones (Some Girls, Tattoo You).
This single-CD reissue pairs two blaxploitation soundtracks by different artists: 1975's Cornbread, Earl and Me, composed by Donald Byrd and performed by the Blackbyrds, and 1973's The Dynamite Brothers, composed and performed by Charles Earland. Cornbread, Earl and Me, which featured the movie debut of Larry Fishburne, is serviceable, routine soul-jazz background film music, varying between funk-jazz-rock vamps (such as the Sly Stone-styled instrumental workout "The One-Eye Two-Step"), snazzy jazzy bits for action scenes, and sentimental orchestrated interludes. There are also occasional vocal numbers in a pedestrian mid-'70s soul-jazz-rock mode, such as "The Cornbread Theme."
Features 24 bit remastering and comes with a mini-description. This is one of Gil Evans's finest recordings of the 1970s. He expertly blended together acoustic and electronic instruments, particularly on an exciting rendition of "Blues in Orbit" (which includes among its soloists a young altoist named David Sanborn). All six selections have their memorable moments (even a one-and-a-half minute version of "Eleven"); colorful solos are contributed by guitarist Ted Dunbar, Howard Johnson on tuba and flügelhorn, the passionate tenor of Billy Harper, and bassist Herb Bushler, among others; and Evans's arrangements are quite inventive and innovative. Rarely would he be so successful in balancing written and improvised sections in his later years.
Features the high-fidelity SHM-CD format (compatible with standard CD player). Cover artwork faithfully replicates original one. Comes with lyrics and a description. Camel was still finding its signature sound on its eponymous debut album. At this point, Peter Bardens and his grand, sweeping organ dominate the group's sound and Andrew Latimer sounds tentative on occasion.
LYNYRD SKYNYRD Sounds Of The South/MCA Years 1973-1988 (Limited edition 2007 promotional Japanese box set) contains Lynyrd Skynyrd's original MCA albums digitally remastered and expanded and housed in miniature LP sleeves [One More For The Road is a double CD], all of whichare promo-stamped. Five of the albums include bonus tracks and each includes replica liner notes or picture inserts. Not least there are two booklets: an extensive 80-page booklet with English lyrics and specific notes onthe bonus tracks + a 28-page booklet about the boxand album reissues themselves.