Originally released in 1973 on MCA, Budgie's third record, Never Turn Your Back on a Friend, was another slab of the band's signature plodding metal sound. Although they were never more than a cult band in the U.S., Budgie's popularity flourished in their native England, yet their influence was eventually felt by many notable American bands (Metallica, Soundgarden, Alice in Chains, etc.)…
"Ass" is the fourth studio album British rock band Badfinger, and their last to be released on Apple Records. The opening track, "Apple of My Eye", refers to the band leaving the label to begin its new contract with Warner Bros. Records. The cover artwork (showing a donkey chasing a distant carrot) alludes to Badfinger's feelings that they had been misled by Apple over the years. The cover was painted by Grammy Award-winning artist Peter Corriston, who would later create famous album covers for Led Zeppelin (Physical Graffiti) and the Rolling Stones (Some Girls, Tattoo You).
Produced with loving care by Claude Nobs, founder of the Montreux Jazz Festival, with no edits or overdubs, this document of Miles Davis's Montreux performances shows through never-before-released material how Miles and company transformed his music live, with their fire, invention, and interplay. The list of sidemen on these dates is a who's who of today's superstars, including saxophonist Dave Liebman, guitarists John Scofield and Robben Ford, keyboardists Adam Holzman and Kei Akagi, bassist Michael Henderson, and percussionist Mtume. Most of the music on these discs features versions of Davis's fusion "hits." The funky and R&B-ish ditty "Ife" and the bouncy "Calypso Frelimo" are rendered with more gusto than their studio versions, as are the in-the-pocket, mid-'80s tunes "Star People" and "New Blues." A package this big has more than a few surprises, however. Chaka Khan lends her powerful pipes to Davis's unique cover of the Michael Jackson sleeper, "Human Nature," and "Al Jarreau" is an upbeat (though too short) tribute to the great vocalise master.
While it's true that Grover Washington, Jr.'s first album as a leader was the wonderful Inner City Blues album on Creed Taylor's Kudu label, the sessions included here predate it and feature Washington Jr. in the role of sideman to Charles Earland, Johnny "Hammond" Smith, Boogaloo Joe Jones, and Leon Spencer Jr.. The nine cuts included here were recorded between September 1970 and August 1971. Most of them are straight-ahead blowing B-3 dates where the emphasis on groove and grit is equal and pervasive. While there isn't a weak track here and Washington's playing is deeper in the register than in his later material, there is one irritating factor about the assemblage of the album.
Grover Washington Jr. (December 12, 1943 – December 17, 1999) was an American jazz-funk / soul-jazz saxophonist. Along with George Benson, John Klemmer, David Sanborn, Bob James, Chuck Mangione, Dave Grusin, Herb Alpert, and Spyro Gyra, he is considered by many to be one of the founders of the smooth jazz genre. He wrote some of his material and later became an arranger and producer.