Chris Monger, an art student from Cardiff, approached film somewhat like his feminist contemporaries, from a theoretical and formalist angle. His two early features, Repeater (1979) and Voice Over (1981), show the influence of the French New Wave (particularly Jean-Luc Godard) and the deconstructionism which was in sway in academia at the time. The less successful Repeater tells the story of Marie (Chris Abrahams), a woman who walks into a police station to confess to the murder of her crippled lover. The police dismiss the confession, ruling the death suicide – somewhat implausibly as the drugged, paralysed man could hardly have shot himself.
"After the splendid debut-album "A script for a jester's tear" Marillion was embraced by the progheads, this band was their new hope and Fish was the musical messiah. I love that album but it has strong hints from mid-Genesis and often nailed for that by the venomous musical press. The new album "Fugazi" showcases a more own identity, more agressive and more direct. In my opinion Marillion had delivered their best album because of the very original compositions and the perfect balance between the vocals, lyrics, keyboards (lush and distinctive synthesizer runs) and guitar (very moving). Drummer Ian Mosley sounds superior to Mike 'ET' Pointer and bass player Peter Trawavas does his job very decent. This album was the definitive breakthrough for Marillion."(progarchives.com)
Brief Encounter is the title of a compilation EP by Marillion with two studio and three live tracks that EMI's American label Capitol Records released there in 1986, coinciding with the band's tour of the U.S. and Canada that year. The band was Rush's support act on the Power Windows tour and also played headline gigs at smaller theatres. The "mini album" contained five tracks: the band's European breakthrough single "Kayleigh" (which had also entered the lower reaches of the Billboard Hot 100); its b-side "Lady Nina"; "Freaks", released in Europe as the b-side of the follow-up single "Lavender"; and live recordings of the first two albums' title tracks, Fugazi (1984) and Script for a Jester's Tear (1984).