Andreas Silbermann (16 May 1678 - 16 March 1734) was a German organ builder, who was involved in the construction of 35 organs, mostly in Alsace. Andreas also established the Silbermann family tradition of organ building, training his brother Gottfried and his son Johann Andreas in the profession.
Brilliant Classics continues its fascinating survey of Pre‐Bachian keyboard music with a new recording of the complete organ works of Nicholas Bruhns. Bruhns, born into a musical dynasty, was organist, violist and violinist in Copenhagen, pupil of the famous Buxtehude, where he remained till his death, only 31 years old. Bruhn’s works make full use of the many newly developed possibilities of the organ in his days, and form a splendid display of keyboard (and pedal!) virtuosity, and intricate counterpoint. To complement Bruhns’ complete organ works this recording presents other works by Sweelinck (his famous Chromatic Fantasy), Scheidemann, Scheidt and Buxtehude. Adriano Falcioni is one of the foremost organists of this time, winner of many international competitions. He already made several organ recordings for Brilliant Classics (Franck, Muffat, Couperin, Duruflé). Includes liner notes by the artist and an artist biography. Contains specifications of the magnificent organ of the Chiesa di San Giorgio in Ferrara, Italy.
To the general public, Masaaki Suzuki is known as the inspired leader of Bach Collegium Japan, currently undertaking a complete cycle of Bach's cantatas for BIS. He has also received much praise for his on-going recordings of the harpsichord music by the same composer. But his début was actually as an organist – he started playing regularly at Sunday services at the age of 12! When going to the Netherlands to study, Suzuki pursued parallel courses, graduating with a soloist's diploma in both organ and harpsichord.
The young organist Pétur Sakari (aged just 21) has gathered five giants of the organ repertoire for his debut disc on BIS, performing on the famous organ of Saint-Étienne-du-Mont in Paris. The five composers are all interconnected – Charles Tournemire and Louis Vierne studied together (under Franck), Maurice Duruflé studied under Tournemire and was Vierne’s assistant at Notre Dame, and Marcel Dupré counted Vierne (and Widor) among his teachers and himself taught Olivier Messiaen.
Produced by the Bru-Zane Foundation, whose mission is to aid in the rediscovery of unjustly neglected French music, 1780 to 1920. An album of Romantic French cantatas by Cherubini, Heand Boisselot in the company of an exceptional guide, mezzo-soprano Karine Deshayes, Opera Fuoco and its conductor, David Stern. The French Cantata, a Baroque-era presence, was restored to favor in the 19th century as an alternative to the Italian stage, then generally perceived in France as being overly exuberant.