Freiburg Baroque Orchestra Haydn

Bach - Brandenburg Concertos / Freiburg Baroque Orchestra  Music

Posted by countVlad at Dec. 7, 2008
Bach - Brandenburg Concertos / Freiburg Baroque Orchestra

Bach - Brandenburg Concertos No 1-6
DivX 5 576x320 25.00fps | Dolby AC3 48000Hz 6ch | 700Mb
Classical | Image Entertainment | Freiburg Baroque Orchestra | 2001

During the years when Bach was in the service of the courts of Prince Leopold in Cothen, he had his own orchestra and was contracted to compose a great deal of instrumental music. This gave him an opportunity to try new techniques and to develop his own instrumental style. The six Brandenburg Concertos belong to these masterpieces, which he composed for a small ensemble. The joyously infectious performance of these masterpieces by The Freiburg Baroque Orchestra demonstrates both the pleasure and highest professional standard that can be reached.
Bach: Brandenburg Concertos - Freiburg Baroque (2014) [Official Digital Download - 24bit/96kHz]

Bach: Brandenburg Concertos - Freiburg Baroque (2014) [Official Digital Download - 24bit/96kHz]
FLAC (tracks) 24 bit/96 kHz | 2 CDs | Digital Booklet | 1.71 GB
Genre: Classical | Official Digital Download - Source: Qobuz

The Brandenburg Concertos need no introduction – doubtless because they owe their fame to a systematic exploration of a genre recently inherited from the Italians, with a still youthful Bach devising as many different scorings as there are concertos. When he received the manuscript of the six works, Christian Ludwig, Margrave of Brandenburg, must have been terrified by their demands, and his musicians even more so! Three centuries later, the cycle is as open as ever to new ‘historically informed’ interpretations, as this set demonstrates. The CD cover represents the importance of numbers in these works eg Concerto No 3 which is scored for three instruments, in 3 time, 3 sections etc. The trumpeter is particularly impressive. Freiburg are recording and touring Bach throughout 2014.
Zefiro Baroque Orchestra, Alfredo Bernardini - Handel: Music for the Royal Fireworks, Concerti a due cori (2008) (Repost)

Zefiro Baroque Orchestra, Alfredo Bernardini - Handel: Music for the Royal Fireworks, Concerti a due cori (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 68:53 | 368 MB
Genre: Classical | Label: Amadeus | Catalog: AM 221-2

Despite the use of period instruments, including some fine blaring natural horns, this couldn't be called a historically informed performance of Handel's Royal Fireworks Music, HWV 351. The work was not composed for a pleasant onboard afternoon musicale like the Water Music, but instead was part of an event that would have been one of the top items on CNN Headline News for 1749: the celebration of the Peace of Aix-la-Chapelle, brokered by King George II.
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon - Locatelli: L'arte del Violino (2002)

Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon - Locatelli: L'arte del Violino (2002)
EAC | FLAC (image+.cue, log) | Covers Included | 76:37 | 368 MB
Genre: Classical | Label: Sony Classical | Catalog: SK 89729

When considering the first set of compositions designed to truly extend and test the technical limits of the violin, most would first consider the 24 Caprices of Paganini. However, more than a century before Paganini was even thought of, Italian composer Pietro Locatelli was pushing the violin to its limits with his four concertos of Opus 3, subtitled the "Art of the Violin."
Simone Kermes, Venice Baroque Orchestra, Andrea Marcon - Viva!: Simone Kermes sings Vivaldi (2011)

Simone Kermes, Venice Baroque Orchestra, Andrea Marcon - Viva!: Simone Kermes sings Vivaldi (2011)
EAC | APE (image+.cue, log) | Covers Included | 70:32 | 427 MB
Genre: Classical, Vocal | Label: Deutsche Grammophon | Catalog: 00289 477 9843

Soprano Simone Kermes sings a variety of repertoire from the Baroque to the Romantic, but it's in the Baroque where she has made the strongest impact, and she shines in this album of Vivaldi opera arias and solo cantatas. The recordings are culled from two earlier Deutsche Grammophon Archiv releases, Amor Profano and Amor Sacro, so fans of the singer who already own those albums would not be getting new material with this one. For other listeners, though, it's an attractive selection that showcases Kermes' versatility, as well as Vivaldi's.
Nicholas McGegan, Philharmonia Baroque Orchestra - Vivaldi: Flute Concertos & Recorder Concertos (2002)

Nicholas McGegan, Philharmonia Baroque Orchestra - Vivaldi: Flute Concertos & Recorder Concertos (2002)
EAC | FLAC | Image (Cue & Log) ~ 524 Mb | Total time: 60:03+60:20 | Scans included
Classical | Label: Harmonia Mundi | # HMX 2907340.41 | Recorded: 1988, 1991

When the German transverse flute found its place in Italy and was accepted by the Catholic church as a suitable replacement for the proscribed recorder, Antonio Vivaldi took to it with great enthusiasm. His flute concertos mark a point of departure, coming after he had completed his 40 bassoon concertos and virtually all of the string concertos. Although some of these pieces were reworkings of material previously composed for recorder, Vivaldi came to capitalize on new techniques he learned from Ignazio Siber, the flute instructor at the Ospedale della Pietà. Of Vivaldi's 15, the 7 flute concertos presented here were freshly written for the instrument. Each has a distinct character and the levels of virtuosity vary between them, but all are charming and rank among Vivaldi's freshest compositions. The most famous of these works is the expressive Concerto in D major, nicknamed "Il Gardellino," the only one of the flute concertos to be published in Vivaldi's lifetime. Flutist Janet See plays with a chaste tone, at times suggestive of the recorder's sound but more focused and controlled, especially in rapid passages. The Philharmonia Baroque Orchestra, under Nicholas McGegan's direction, gives delicate support and transparent accompaniment to set off See's buoyant performance.
(Blair Sanderson)
European Community Baroque Orchestra, Roy Goodman, Andrew Manze - Pieter Hellendaal: Sei Concerti Grossi Op. 3 (1993) (Repost)

European Community Baroque Orchestra, Roy Goodman, Andrew Manze - Pieter Hellendaal: Sei Concerti Grossi Op. 3 (1993)
EAC | FLAC (image+.cue, log) | Covers Included | 01:12:25 | 420 MB
Genre: Classical | Label: Channel Classics | Catalog: CCS 3492

The "Concerto grosso" was eminently popular in Europe at the beginning of the 18th century, Arcangelo Corelli having set the trend with his Opus 6 published around 1710, but probably written much earlier. The main attraction seems to have been the possibilities opened up by having two groups of musicians in dialogue with one another.
Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon - Concerto Italiano (2009) (Repost)

Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon - Concerto Italiano (2009)
EAC | FLAC (image+.cue, log) | Covers Included | 81:38 | 440 MB
Genre: Classical | Label: ARCHIV Produktion | Catalog: 0289 477 6606 3

Recording after recording, Giuliano Carmignola, Andrea Marcon and the Venice Baroque Orchestra have proven themselves as a winning combination. After previously triumphing in the music of Vivaldi, Carmignola discovers the almost completely forgotten repertoire of the Italian violin concerto, bridging the gap between the Baroque and Classical styles in the mid-18th century. During this time period, violin virtuosi would travel across Europe giving concerts to great acclaim. It is their music that Carmignola performs.
European Union Baroque Orchestra, Roy Goodman - Rameau: Pigmalion, Platee and Dardanus Ballet Suites (2005)

European Union Baroque Orchestra, Roy Goodman - Rameau: Pigmalion, Platee and Dardanus Ballet Suites (2005)
EAC | FLAC (image+.cue, log) | Covers Included | 75:46 | 438 MB
Genre: Classical | Label: Naxos | Catalog: 8.557490

Glorious music brilliantly played and vividly recorded, this recording of suites from three of Jean-Philippe Rameau's operas by Roy Goodman and the European Union Baroque Orchestra is as fine a disc of French Baroque orchestral music as has ever been issued. The wit and élan that Goodman and his Orchestra bring to Rameau is infectious. The listener finds himself smiling at Pigmalion's Les différence caractéres de la danse and laughing at Platée's Air pour des fous gais et de fous trietes.
Orchestra of St. Luke's, Pablo Heras-Casado - Tchaikovsky: Symphony No. 1 Op. 13; The Tempest Op. 18 (2016)

Tchaikovsky: Symphony No. 1 'Winter Daydreams' Op. 13; The Tempest Op. 18 (2016)
Orchestra of St. Luke's; Pablo Heras-Casado, conductor

EAC | FLAC | Image (Cue&Log) ~ 286 Mb | Mp3 (CBR320) ~ 159 Mb | Artwork included
Genre: Classical | Label: Harmonia Mundi | # HMC902220 | Time: 01:08:20

Pablo Heras-Casado enjoys an unusually varied conducting career—encompassing the great symphonic and operatic repertoire, historically informed performance and cutting-edge contemporary scores. He has served as Principal Conductor of Orchestra of St. Luke’s since 2011, now extended to September 2017. OSL began as a chamber ensemble based at The Church of St. Luke in the Fields in Greenwich Village. Today, St. Luke’s Chamber Ensemble consists of 21 virtuoso artists who perform a diverse repertoire and make up OSL’s artistic core. harmonia mundi are proud to release OSL's debut album for the label featuring two of Tchaikovsky's earliest notable works, both of which are dramatic and vibrant: Symphony No. 1, 'Winter Dreams' and 'The Tempest', a sprawling and turbulent seascape.