Freddie Hubbard's definitely rolling on this great little set – rolling right back into acoustic jazz territory after a run of smoother soul sessions for bigger labels at the end of the 70s! The album's a live one, and it's a perfect example of the development of Hubbard's solo skills at the point – amazingly well-crafted, especially in a spontaneous setting like this, where Freddie can really stretch out over a long tune with really soulfully imaginative expressions. The group features the great David Schnitter on tenor and soprano sax – a great colleague for the date – plus Billy Childs on acoustic and electric piano, Larry Klein on bass, and Carl Burnett on drums. Titles include "Breaking Point", "Brigitte", "Cascais", "One Of Another Kind", and "Byrdlike".
Reissue with the latest remastering. Features original cover artwork. One of Art Blakey's final recordings as a leader features two separate pianists (Benny Green and Mulgrew Miller) and two bassists (Leon Lee Dorsey and Lonnie Plaxico) taking part, along with the guest appearance of former Jazz Messenger Freddie Hubbard. Blakey was going deaf near the end of his life and sounds a tad tentative at times, while Hubbard's return may have been more to improve his chops (which had been in question after his experiments with fusion). The trumpeter seems rejuvenated by working with his former boss and his latest crop of Young Lions, who also include tenor saxophonist Javon Jackson.
Freddie Hubbard makes a sweet splash for the 80s in this great little set – one of his last electric outings before a return to more acoustic modes! The vibe's a bit leaner than some of his late 70s albums, with most of the electricity coming from the bass, and from the keyboards by Chester Thompson or Louis Small – but the record's definitely got that soaring sense of flow that Freddie brought to his best work of this nature – that new sound he unlocked during the 70s, which finally seemed to find the right voice for that mighty horn of his!