Working together since 1978, the partnership of Zorn and Frith is one of the most enduring musical partnerships in the downtown scene. Their periodic duo concerts have always been special events in themselves, but when it happens in celebration of Zorn's 50th Birthday, it takes on even greater meaning. Two masters of improvisation meet head to head in the redhot crucible of Tonic for an hour of telepathic communication and exploration, and you are there.
The duo offers the most intimate dialogue between two musicians: a time when each musician himself up, and dig deep inside himself to express a melody inspired improvisation on the other, this is so magical. This magic has proved the first time that Nico Gori has performed with Fred Hersch. The two musicians met for the first time the North Sea Jazz Festival 2010 in Holland. Nico Gori then played with the Italian pianist Stefano Bollani and Fred Hersch Trio with her two. The two were immediately attracted by the sound of the other.
With Perpetuum, Dutch pianist Edwin Berg and his band mates enter an increasingly crowded field: to wit, piano trios that seem, consciously or otherwise, to worship at the shrine of Brad Mehldau. Any number of new-ish pianists on the scene have released records ranging in quality from good to excellent—Aaron Goldberg's Worlds (Sunnyside, 2006); Florian Weber's Minsarah (Justin Time, 2006); Florian Ross's Big Fish & Small Pond (Intuition, 2007); John Chin's Blackout Conception (Fresh Sound New Talent, 2008)—in this Mehldauvian vein.
Rien de rassurant dans cette nouvelle affaire du commissaire, qu'on retrouve ici confronté à un fléau venu du fond des âges : On l'a peint soigneusement sur les treize portes d'un immeuble, dans le 18e arrondissement de Paris : un grand 4 noir, inversé, à la base élargie. En dessous, trois lettres : CLT. Le commissaire Adamsberg les photographie, et hésite : simple graffiti, ou menace ? A l'autre bout de la ville, Joss, l'ancien marin breton devenu Crieur de nouvelles est perplexe. …