Len Goodman is a man who has dedicated his life to dance, and in this film he is travelling across America to explore the extraordinary life, and the imaginative mind of his greatest hero, Fred Astaire. From his daughter to his dance partner, Len leaves no stone untouched as he discovers more about how and why this man became one of the greatest dancers of all time.
It’s hard not to like Pam Lawson. As the audience is greeted by the soft, languid rendition of “I Won’t Dance” as they file in, Lawson meets them like old friends with a big smile and easy manner, setting the tone for the next hour. This show lives up to it’s subtitle as A Celebration In Song, and is an opportunity for the singer to share her love of the music from the classic 1930s films of Fred and Ginger. Interspersed with a witty narrative of anecdotes gleaned from autobiographies by the iconic Hollywood pair, Pam Lawson takes us through the music from the nine RKO Radio Pictures movies featuring the dancing duo. On a blank stage and backed brilliantly on piano by Tom Finlay, and on double bass by Ed Kelly, Pam Lawson, in a flowery tea-dress, invites the audience to sing along or even dance if they dare. With the house…
Mr. Top Hat album by Fred Astaire was released Sep 06, 2005 on the Verve label. Mr. Top Hat CD music contains a single disc with 15 songs.
Amelia and Pippo are reunited after several decades to perform their old music-hall act (imitating Fred Astaire and Ginger Rogers) on a TV variety show. It's both a touchingly nostalgic journey into the past, and a viciously satirical attack on television in general and Italian TV in particular, portraying it as a mindless freakshow aimed at morons
The seventh of RKO's Fred Astaire–Ginger Rogers musicals, Shall We Dance casts Astaire as a world-renowned ballet dancer and Rogers as a musical comedy headliner. Rogers' manager Jerome Cowan concocts a phony romance between his client and Astaire in order to garner publicity for them both. Eventually, of course, the twosome falls in love for real, but not before a cornucopia of confusion, complications and misunderstandings. Highlights include a number performed on roller skates and Astaire's dance solo in the art-deco boiler room of an ocean liner. The George and Ira Gershwin score (their last for Astaire and Rogers) includes "Slap That Bass," "Beginner's Luck," "Let's Call the Whole Thing Off," "They All Laughed," "They Can't Take That Away From Me," and the title number.
The sixth of RKO's Fred Astaire -Ginger Rogers pairings of the 1930s, Swing Time starts off with bandleader Astaire getting cold feet on his wedding day. Astaire's bride-to-be Betty Furness will give him a second chance, providing he proves himself responsible enough to earn $25,000. Astaire naturally tries to avoid earning that amount once he falls in love with dance instructor Ginger Rogers. Numerous complications ensue, leading to the "second time's the charm" climax, with Ginger escaping her own wedding to wealthy Georges Metaxa in order to be reunited with Astaire. The film's most indelible image is that of Fred Astaire, immaculately attired in top hat and tails, hopping a freight car–a perfect encapsulation of the film's Depression-era cheekiness. The Jerome Kern-Dorothy Fields score includes such standards-to-be as "Pick Yourself Up," "A Fine Romance," "The Way You Look Tonight," "Never Gonna Dance" and "Bojangles of Harlem."