Franz Schubert Sinfonia n. 8

Schubert - Symphonie n° 8 La Grande - Jeffrey Tate (1986)  Music

Posted by Ibiza at May 16, 2009
Schubert - Symphonie n° 8  La Grande  -  Jeffrey Tate (1986)

Schubert - Symphonie n° 8 La Grande - Jeffrey Tate
Classical | mp3 320 Kbps | 145 MB
EMI Records Ltd 1986

Franz Schubert Symphonies 5,8 with Norrington  Music

Posted by nordievind at March 2, 2008
Franz Schubert Symphonies 5,8 with  Norrington

Franz Schubert Symphonies 5,8 with Norrington
Symphony | scans | no log | no cue | lossless (separate m4a files) | 193Mb
Symphony 5 in B flat major, D485 Symphony 8 in B minor D759
Conducted by Roger Norrington
Franz Schubert - Charles Munch / Boston Symphony Orchestra - Symphonies No. 8 & No. 9 (2006) {Hybrid-SACD // ISO & HiRes FLAC}

Franz Schubert - Symphonies No. 8 & No. 9
Charles Munch / Boston Symphony Orchestra
SACD ISO (2.0/MCH): 2,59 GB | 24B/88,2kHz Stereo FLAC: 1,20 GB | Artwork | 5% Recovery Info
Label/Cat#: RCA Red Seal "Living Stereo" # 82876-66374-2 | Country/Year: Europe 2006, 1955 & 1958
Genre: Classical | Style: Viennese School

"…Recorded in 1955 and 1958, respectively, these performances with the phenomenal Boston Symphony Orchestra sound magnificent with the spacious separation and the close simulation of a real orchestral environment made possible by DSD and multichannel remastering. Beyond the superb audio quality, these recordings are fascinating documents of Münch's elegant interpretations of Schubert…."
Franz Schubert - Swedish SO / Dausgaard - Symphonies Nos. 8 & 9 {Hybrid-SACD // EAC Rip}

Franz Schubert - Symphonies Nos. 8 & 9
Swedish Chamber Orchestra - Thomas Dausgaard
EAC+LOG+CUE | FLAC: 328 MB | Full Artwork | 5% Recovery Info
Label/Cat#: BIS # BIS-SACD-1656 | Country/Year: Sweden 2010
Genre: Classical | Style: Romantic

…The recorded sound is magnificent! Two different engineers worked these sessions (Martin Nagorni for the "Unfinished" and Andreas Ruge for the "C Major") and they were recorded at the Orebro Concert Hall, Sweden. A near-perfect blend of direct and hall sound - not over-resonant - make for an immediate and satisfying listening experience. If you are curious about how these works sound in chamber orchestra garb, rush out and buy this. You won't be disappointed!
Franz Schubert - Swedish CO / Dausgaard - Symphonies Nos. 8 & 9 {Hybrid-SACD // ISO & HiRes FLAC}

Franz Schubert - Symphonies Nos. 8 & 9
Swedish Chamber Orchestra - Thomas Dausgaard
SACD ISO (2.0/MCH): 3,82 GB | 24B/88,2kHz Stereo FLAC: 1,29 GB | Full Artwork | 5% Recovery Info
Label/Cat#: BIS # BIS-SACD-1656 | Country/Year: Sweden 2010
Genre: Classical | Style: Romantic

…The recorded sound is magnificent! Two different engineers worked these sessions (Martin Nagorni for the "Unfinished" and Andreas Ruge for the "C Major") and they were recorded at the Orebro Concert Hall, Sweden. A near-perfect blend of direct and hall sound - not over-resonant - make for an immediate and satisfying listening experience. If you are curious about how these works sound in chamber orchestra garb, rush out and buy this. You won't be disappointed!
Franz Schubert - Jonathan Nott & Bamberger Symphoniker - Symphonien 1-8, Dialog & Eplilog [6CD] (2011) {Tudor}

Franz Schubert - Jonathan Nott & Bamberger Symphoniker - Symphonien 1-8, Dialog & Eplilog [6CD] (2011) {Tudor}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.77 Gb | MP3 @320 -> 1.07 Gb
Full Artwork @ 300 dpi (jpg) -> 40 Mb | 5% repair rar
© 2011 Tudor Recording | TUD301610
Classical / Orchestral / Romantic

Starting in 2003, Jonathan Nott and the Bamberg Symphony pursued the ambitious project of recording Franz Schubert's symphonies Nos. 1-8, and the SACDs were individually released later that decade to considerable critical praise. This 2011 set of six SACDs brings together the four albums with the symphonies, plus two collections of modern compositions inspired by Schubert's music. Nott's conducting tends to be on the fast side in Schubert, and the Bamberg Symphony is sometimes a little uneven in sound quality. But by and large, they demonstrate a great understanding of Schubert's styles, both in his Classical and Romantic veins, and acquit themselves with enthusiasm and brilliance.
Wilhelm Furtwängler - Schubert: Sym. No. 8 (9) / Haydn: Sym. No. 88 (2011) {Single Layer SHM-SACD // ISO & HiRes FLAC} [RE-UP]

Franz Schubert: Symphony No. 8 (9) in C major D.944 "Great" / Joseph Haydn: Symphony No. 88
Berliner Philharmoniker / Wilhelm Furtwängler
SACD ISO (Single Layer/Mono): 3,05 GB | 24B/88,2kHz FLAC: 766 MB | Full Artwork: 80 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon, Universal Music LLC # UCGG-9019 | Country/Year: Japan 2011 (Germany 1951)
Genre: Classical | Style: Viennese School, Historical Recording

"SHM-SACD (Super High Material SACD) is the ultimate Super Audio CD that utilizes the materials and technologies that were developed for the SHM-CD to further enhance the audio-resolution. These discs are made with polycarbonate developed for the screen of the liquid crystal display. As it has a higher transparency, players can read the signal more faithfully. Also, it excels in fluidity, which enables you to cast a more accurate pit. What works wonders for a low resolution format such as CD should offer even greater sonic improvements in a real high resolution format such as SACD."
Wilhelm Furtwängler - Schubert: Symphony No. 8 (9) / Haydn: Symphony No. 88 (2011) {Single Layer SHM-SACD // ISO & HiRes FLAC}

Franz Schubert: Symphony No. 8 (9) in C major D.944 "Great" / Joseph Haydn: Symphony No. 88
Berliner Philharmoniker / Wilhelm Furtwängler
SACD ISO (Single Layer/Mono): 3,05 GB | 24B/88,2kHz FLAC: 766 MB | Full Artwork: 80 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon, Universal Music LLC # UCGG-9019 | Country/Year: Japan 2011 (Germany 1951)
Genre: Classical | Style: Viennese School, Historical Recording

"SHM-SACD (Super High Material SACD) is the ultimate Super Audio CD that utilizes the materials and technologies that were developed for the SHM-CD to further enhance the audio-resolution. These discs are made with polycarbonate developed for the screen of the liquid crystal display. As it has a higher transparency, players can read the signal more faithfully. Also, it excels in fluidity, which enables you to cast a more accurate pit. What works wonders for a low resolution format such as CD should offer even greater sonic improvements in a real high resolution format such as SACD."
Thomas Larcher - Arnold Schoenberg, Franz Schubert: Klavierstucke (1999)

Thomas Larcher - Arnold Schönberg, Franz Schubert: Klavierstücke (1999)
EAC | FLAC | Tracks (Cue&Log) ~ 162 Mb | Mp3 (CBR320) ~ 155 Mb | Scans included
Genre: Classical | Label: ECM | # ECM New Series 1667, 465 136-2 | 01:04:28

Consummation. This is what the piano music of Arnold Schönberg (1874-1951) and Franz Schubert (1979-1828) have in common, the bridge that Thomas Larcher brings to this welcoming solo recital, his first for ECM. To underscore this point, he shuffles Schönberg’s Klavierstücke op. 11 with Schubert’s posthumous Klavierstücke D 946. By turns halting and didactic, the opening pairing opens into the fresh air of Schubert’s precisely syncopated revelry. The contrasts between the two composers are obvious to the ear, but to the heart Schönberg is an extended exhalation to Schubert’s inhalation. Where Schönberg plots slow, jagged caverns, Schubert runs furtively above ground in the sunshine. Yet both seem so urgent to tell their stories, offering lifelong journeys from relatively young minds.
Philippe Cassard & Cedric Pescia - Franz Schubert - Sonata D959 & Piano Duets (2014) {La Dolce Volta LDV 15}

Philippe Cassard & Cedric Pescia - Franz Schubert - Sonata D959 & Piano Duets (2014) {La Dolce Volta LDV 15}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 254 Mb | MP3 @320 -> 184 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 2014 La Dolce Volta | LDV 15
Classical / Romantic / Piano

The title ‘1828’ refers to Schubert’s final and astoundingly productive year, which brought forth the three duets and solo sonata featured on this disc. In Philippe Cassard’s hands, the declamatory dynamism of the D959 A major Sonata’s first-movement exposition takes a back seat, with an emphasis on shapely soft playing that ravishingly comes to roost throughout the movement’s development section. The pianist’s eloquent legato holds attention in the Andantino’s outer sections, yet he downplays the harrowing chromatic climax. He similarly understates the Scherzo’s explosive descending minor scales, yet his delicate, witty arpeggiation of the main theme’s leaping chords delights. While the Rondo gains assurance and momentum as it progresses, I prefer Pollini’s firmer left-hand projection in the explosive central minor episode and the intelligent architecture of his dynamics.