The work of Dr. Betty Edwards, author of Drawing on the Right Side of the Brain, has enabled millions of people around the world to learn to draw. Here, we will introduce you to her teaching technique, a little of the theory behind it, and to an exercise that demonstrates its effectiveness.
This aptly named disc showcases James Booker's piano playing; his stretches and runs are breathtaking in their fluidity. This disc (along with its Rounder partner, Resurrection of the Bayou Maharajah) was culled from some 60 or so hours of tapes that John Parsons recorded at the Maple Leaf Bar from 1977 to 1982. The main difference in the music on the two discs is that this one is purely instrumental.
The Dubliners are legends in the world of Irish music. This unique film follows them from their home in Ireland and across Germany on tour, combining great live performances with an on the road documentary that allows you to get to know the band as they talk about their lives, the career of the Dubliners and where their inspiration comes from. Featuring many of their best loved tracks this intimate portrait is a must see for any fan of traditional Irish music.
Roy Wood is an English singer-songwriter and multi-instrumentalist. He was particularly successful in the 1960s and 1970s as member and co-founder of the Move, Electric Light Orchestra and Wizzard. As a songwriter, he contributed a number of hits to the repertoire of these bands. Wood will be inducted into the Rock and Roll Hall of Fame in 2017 as a member of Electric Light Orchestra. On the Road Again is the third solo album by Roy Wood. The album was released only due to the intervention of Warner Bros. boss Mo Ostin, but it was only released in the United States, Germany and The Netherlands. The album includes guest appearances from Carl Wayne, Andy Fairweather-Low and John Bonham.
It is all too easy to take Gustav Mahler's symphonies and orchestral songs for granted in the 21st century's first decade. More than ever before, concert performances and recordings of these works abound, and at a level of proficiency that reveals the remarkable extent to which musicians worldwide have assimilated the composer's idiom. Given the music's primacy in today's central orchestral repertoire, we forget how the great Mahler advocates of the past had to champion his music in the face of adversity. "Who can bear those monstrous symphonies, those over-blown, out-of-date horrors," asked one leading music critic when the New York Philharmonic launched a Mahler Festival to celebrate the composer's 1960 centenary.