And now we have Goin' Platinum!, the newest effort from the soon-to-be legendary soul singer Robert Finley and his crack band of geniuses. From the lovelorn bombast of "If You Forget My Love" to the soul-stirring "Medicine Woman," and the home-on-the-road ripper "Empty Arms" to the yearning "Honey Let Me Stay the Night," all capped by the epic closer "Holy Wine," featuring Finley's ethereal falsetto, Finley's performance left Dan Auerbach speechless-as it will anyone who lays ears to it. As for the album title, Dan Auerbach gives all credit to Finley and his huge but wholly considerate personality. "He was just beaming from the second he walked in the door," Auerbach says. "Every time he'd listen to playback, he'd say, ‘It's goin' platinum.' That was his catch phrase.
For this 2010 production, the first new staging of the opera in 10 years, Glyndebourne welcome back the winning team of director Jonathan Kent and designer Paul Brown with Festival Music Director, Vladimir Jurowski conducting the Orchestra of the Age of Enlightenment. Set at a time of seismic social and cultural change - in a Fellini-esque vision of post-war life - Jonathan Kent's urgently propulsive production offers a 'white-knuckle rollercoaster ride' through the events of the Don's last day as they unfold in and around Paul Brown's magical 'box of tricks' set.
NVC ARTS returned to Glyndebourne in 1994 for the opening of the beautiful, new opera house and a recording of an opera closely associated with Glyndebourne; Mozart's The Marriage of Figaro. Stephen Medcalf's production is complemented by John Gunter's sparsely furnished sets, offset by the rich greens, reds and blues in the scenery and costumes. A perfect Glyndebourne cast includes Gerald Finley and Alison Hagley who give touching performances of Figaro and Susanna. Andreas Schmidt is a strong and handsome Count Almaviva, Renée Fleming is a ravishing Countess and Marie-Ange Todorovitch is an irresistably love-sick Cherubino. Bernard Haitink draws polished playing from the London Philharmonic.