Noémie and Priscilla, two teenage girls from working class backgrounds, cultivate the same violence, the same contempt of the world. They are a source of serious concern for family and friends, who sense them capable of going to extremes. Noémie (Lhomeau) has already tried to kill herself once when with the work of German Romanic writer Kleist ringing true to her, convinces equally unhappy best friend Priscilla (Tissier) to make a suicide pact. The two of them can see no reason to go on living but the practicalities and opportunity to go through with that plan is harder than they envisage.
After both John Coltrane and Cannonball Adderley left Miles Davis' quintet, he was caught in the web of seeking suitable replacements. It was a period of trial and error for him that nonetheless yielded some legendary recordings (Sketches of Spain, for one). One of those is Someday My Prince Will Come. The lineup is Davis, pianist Wynton Kelly, bassist Paul Chambers, and alternating drummers Jimmy Cobb and Philly Jo Jones. The saxophonist was Hank Mobley on all but two tracks. John Coltrane returns for the title track and "Teo." The set opens with the title, a lilting waltz that nonetheless gets an original treatment here, despite having been recorded by Dave Brubeck. Kelly is in keen form, playing a bit sprightlier than the tempo would allow, and slips flourishes in the high register inside the melody for an "elfin" feel. Davis waxes light and lyrical with his Harmon mute, playing glissando throughout. Mobley plays a strictly journeyman solo, and then Coltrane blows the pack away with a solo so deep inside the harmony it sounds like it's coming from somewhere else.
A collaboration between Edgar Fruitier, classical music expert and collector, Cardinal Jean-Claude Turcotte and Cardinal Marc Ouellet, this 6 CD collection of sacred music is a classical's music lover's dream.