This third volume in the More How to Draw Manga series takes a focused look at means of enhancing a character's sense of presence as well as explains in detail techniques for imbuing a character with presence by suggesting movement.
The intensely practical choral music of the young Latvian composer Ēriks Ešenvalds is steadily gaining appreciation across the world. The works on this new album owe their genesis to commissions from the United States, England and northern Europe and encompass ethereal expressions of uniquely arctic phenomena (listen for wine glasses turned—and tuned—to wondrously simple but devastating effect within the choral texture), American ballads and several works in the ‘Anglican tradition’, the fruits of the composer’s recent residency at Trinity College Cambridge. Trinity College Choir Cambridge here returns the compliment, as it were, with superlative performances of these varied and engaging works, all recorded under the watchful eye of the composer and conductor Stephen Layton.
Firma Melodiya continues the series of compact discs dedicated to December Evenings Festival that takes place at the Pushkin State Museum of Fine Arts. This album, like the previous one, is dedicated to the 1985 festival World of Romanticism and includes recordings featuring Sviatoslav Richter. The atmosphere of December Evenings, an event initiated by the great pianist, differed from usual philharmonic concerts. The spirit of music as an inseparable part of "fusion of arts" the romanticists dreamt of was invisibly felt in each number; a sensitive listener can catch it in these, perhaps technically imperfect, concert recordings from thirty years ago. The works by Schubert, Schumann and Chopin were performed by Sviatoslav Richter in ensemble with his outstanding contemporaries, violinist and David Oistrakh's student Oleg Kogan who passed away prematurely, violist Yuri Bashmet, cellist Natalia Gutman and clarinettist Anatoly Kamyshov.
Peter Philips was, after William Byrd, the most published English composer of the Elizabethan-Jacobean Age. He was also, in his day, the best-known English composer on the European mainland but his absence from his homeland after the age of about twenty-one means that he remains relatively neglected at home. Born in 1560 or 1561, he trained as a choirboy at St Paul’s Cathedral in London and may have studied keyboard playing with Byrd. In 1582 he fled England to avoid persecution as a Roman Catholic, making his way to Rome. In 1585 he joined the entourage of another Roman Catholic refugee, Sir Thomas Paget, travelling with him through Northern Europe for the next five years, eventually settling in Antwerp in 1591. In 1593 he was accused of plotting against Elizabeth I and arrested, but was eventually exonerated. He joined the court chapel of Archduke Albert, Viceroy of The Netherlands, as organist in 1597 and remained there until his death in 1628.