On September 29, the band will mark 21 years since their first release ‘Swim’ with a career-spanning 41-track greatest hits package and a mini album ‘Arrow’ of nine new songs – featuring the song ‘Figure You Out’.
The J. Geils Band were one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, the J. Geils Band were a bar band pure and simple, churning out greasy covers of obscure R&B, doo wop, and soul tunes, cutting them with a healthy dose of Stonesy swagger. While their muscular sound and the hyper jive of frontman Peter Wolf packed arenas across America, it only rarely earned them hit singles. Seth Justman, the group's main songwriter, could turn out catchy R&B-based rockers like "Give It to Me" and "Must of Got Lost," but these hits never led to stardom, primarily because the group had trouble capturing the energy of its live sound in the studio. In the early '80s, the group tempered its driving rock with some pop, and the makeover paid off with the massive hit single "Centerfold," which stayed at number one for six weeks. By the time the band prepared to record a follow-up, tensions between Justman and Wolf had grown considerably, resulting in Wolf's departure, which quickly led to the band's demise. After working for years to reach the top of the charts, the J. Geils Band couldn't stay there once they finally achieved their goal.
This is an excellent sampler that showcases the flamboyant, semi-classical style of the pianist, including "Shubert's Serenade." Władziu Valentino Liberace, known as Liberace, was an American pianist, singer, and actor. A child prodigy and the son of working-class immigrants, Liberace enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame, from the 1950s to the 1970s, Liberace was the highest-paid entertainer in the world, with established concert residencies in Las Vegas, and an international touring schedule. Liberace embraced a lifestyle of flamboyant excess both on and off stage, acquiring the sobriquet "Mr. Showmanship".
La Femme Dietrich's career lasted several decades, and when she inked a deal with Decca Records in 1939, her first recording assignment was to produce an album of her "greatest hits," so already pervasive was her fame. This 16-track collection rounds up selections recorded over a 25-year period between her signing to Decca and her later recordings for Dot and Kapp, all of which parent company MCA-Universal now owns. Besides the definitive, elegant orchestral reading of 'Falling In Love Again', Marlene also puts her pipes and personality to other hits like "The Boys in the Backroom" and "You've Got That Look (That Makes Me Weak)" from the movie Destry Rides Again, as well as a batch of classy readings of "You Do Something to Me," "You Go to My Head," and uncharacteristic, almost surreal 1957 rock & roll stabs at "Near You," and "Kisses Sweeter Than Wine" and the campy spins of her final single in 1965, "If He Swing By the String" and "Such Trying Times." All in all, a great little career overview to add to the pop vocal side of the collection.
Without a doubt, Airto put a new face on Brazilian music in the wake of the bossa nova movement, bringing back the frantic complexity of the samba translated into his own frenzied yet controlled electronic/multi-percussion idiom. Here we truly have some of the best of his early work in the U.S. as a leader for the CTI label, where Airto proves that he couldn't be suppressed even by the guiding hand of Creed Taylor. The set kicks off with a pair of great, sizzling tracks from the Free album, with Airto feverishly driving bands manned by Chick Corea on electric piano, Keith Jarrett on acoustic piano, and other American all-stars. From there, we move to the Fingers album, which features Airto's own band yet maintains virtually the same level of excitement with a deeper Brazilian streak.
The Best of 10 Years – 32 Superhits also known as 32 Superhits - Non-Stop Digital Remix is a remix album by Boney M. released in 1986. In 1981 producer Frank Farian created a thirteen-minute medley in the style of Stars on 45 called "6 Years of Boney M. Hits (Boney M. on 45)" which was issued as both A- and B-side singles in certain territories - in the UK the medley was the B-side of Boonoonoonoos 12" single "We Kill The World (Don't Kill The World)", in Germany the edited 7" version appeared as the B-side of Christmas Album single "Little Drummer Boy" and the longer version as a separate A-side 12" release in early 1982. Five years later, Farian took the non-stop medley idea one step further and extended the medley to a thirty-two track, forty-six minutes full-length album of Boney M's greatest hits with additional percussive and synthesized overdubs.