Faust Cbr

Isabelle Faust, Alexander Melnikov - Franz Schubert: Sonate D.574; Rondo Op.70; Fantasie D.934 (2006)

Franz Schubert: Sonate D.574; Rondo Op.70; Fantasie D.934 (2006)
Isabelle Faust, violin; Alexander Melnikov, piano

EAC | FLAC | Tracks (Cue&Log) ~ 225 Mb | Scans ~ 70 Mb | Time: 00:57:46
Genre: Classical | Label: Harmonia Mundi | # HMC90 1870

In nearly every respect this is outstanding. The Rondo brillant and the Fantasie, both written for the virtuoso duo of Karl von Bocklet and Josef Slawik, can sound as if Schubert were striving for a brilliant, flashy style, foreign to his nature. Both are in places uncomfortable to play (when first published, the Fantasie’s violin part was simplified), but you would never guess this from Faust’s and Melnikov’s performance; they both nonchalantly toss off any problem passages as though child’s play. The Fantasie’s finale and the Rondo brillant are irresistibly lively and spirited, and this duo’s technical finesse extends to more poetic episodes – Melnikov’s tremolo at the start of the Fantasie shimmers delicately, while the filigree passagework in the last of the variations that form the Fantasie’s centrepiece have a delightful poise and sense of ease.
Orchester Wiener Akademie & Martin Haselböck - Liszt: Faust Symphony, S. 108 (2017) [Official Digital Download 24/96]

Orchester Wiener Akademie & Martin Haselböck - Liszt: Faust Symphony, S. 108 (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 68:20 minutes | 1.16 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

The Faust Symphony undoubtedly constitutes one of the principal works of Liszt’s Weimar period, if not indeed his orchestral masterpiece. Liszt had become acquainted with Goethe’s poem Faust in 1830, in the French translation of Gérard de Nerval. He began composing the work in the 1840s, after a visit to the Goethe House in Weimar. Its first performance was arranged for September 1857, to mark the centenary of Grand Duke Carl August and the erection of a statue to Goethe and Schiller.

The Wicked + The Divine - Volume 1 - Faust Départ  Comics

Posted by Mendose at May 20, 2017
The Wicked + The Divine - Volume 1 - Faust Départ

The Wicked + The Divine - Volume 1 - Faust Départ
French | CBR | 174 pages | 175 MB

Kira Skov & Maria Faust - In the Beginning (2017)  Music

Posted by Pisulik at May 16, 2017
Kira Skov & Maria Faust - In the Beginning (2017)

Kira Skov & Maria Faust - In the Beginning (2017)
Jazz | MP3 CBR 320 kbps | 00:43:08 | 99 MB
Label: Stunt Records | Release Year: 2017

Bright Danish artist Kira Skov and resides in Copenhagen Estonian saxophonist Maria Faust is a vibrant creative energy and created a united süvateose "In the Beginning" for chorus and ensemble. The album included batsmen Skov Faust's fascination with music was when he heard the disc "Sacrum Facere." Artists mutual understanding born co - wrote Maria puhkpilliseaded Kira tracks, and soon came the idea of creating music together. Women created melodies plate together arranžeeringu did Maria and Kira wrote the words. Estonian folklore-inspired albums süüvis Faust creating even deeper koduimaisesse blueberries, reaching religious kaemusteni. The project was produced by Mark Howard, who has worked with such world celebrities such as Bob Dylan, Willie Nelson, U2 and R.E.M.

Faust - Fresh Air (2017)  Music

Posted by SERTiL at May 4, 2017
Faust - Fresh Air (2017)

Faust - Fresh Air
Krautrock, Psychedelic, Experimental | MP3 CBR 320 kbps | 52:04 min | 120 MB
Label: Bureau B | Tracks: 07 | Rls.date: 2017

Faust has recorded a new album. It is entitled "Fresh Air" and differs in several respects from its predecessor "Just Us", from the year 2014. At the time, the recordings were made at Peron's rehearsal studio in Schiphorst in northern Germany, hypnotic pieces with the kind of noisemaking the band is known for. For the new album, Peron and Diermaier were looking for communication with musician friends and the audience. The tracks were recorded in changing ensembles at changing locations in the USA (during a 28-day tour in March/April 2016).

Leonard Bernstein - Liszt: A Faust Symphony (1996/2016) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 22, 2017
Leonard Bernstein - Liszt: A Faust Symphony (1996/2016) [TR24][OF]

Leonard Bernstein - Liszt: A Faust Symphony
Classical | FLAC (tracks) 24-bit/96 kHz | 76:58 min | 1.31 GB | Digital booklet
Label: Deutsche Grammophon | Tracks: 03 | Rls.date: 1996/2016

Giuseppe Sinopoli projects Liszt’s “Mephistopheles” with such unrelenting urgency that he could as well be fighting the devil in person. True, the recorded balance keeps the strings fairly close at hand (the actual sound image is not dissimilar to EMI’s on their Masur/Leipzig Liszt series), but the playing itself has real drive and panache, frequently throwing caution to the winds in pursuit of maximum spontaneity (as regards tempo, Sinopoli beats Bernstein to the finishing post by no less than ten minutes).

Isabelle Faust - Mozart: Violin Concertos (2016)  Music

Posted by LoveHive at Dec. 24, 2016
Isabelle Faust - Mozart: Violin Concertos (2016)

Isabelle Faust - Mozart: Violin Concertos (2016)
Classical | MP3 CBR 320 kbps | 02:09:06 | 297 MB
Label: Harmonia Mundi

The five most brilliant concertos for violin, all penned before the age of 19! Mozart was not even 15 years old when he began composing violin concertos that would serve as a backdrop at Salzburg receptions. An insatiable drive for independence would however lead the young Konzertmeister to overtly challenge musical forms, innovate with genres, humour and frivolity, all of which can be heard in this delightful first collaboration between Isabelle Faust and the musicians of Il Giardino Armonico.

Gounod - Faust (Beczala, Abdrazakov, Agresta; Pérez) 2016  Music

Posted by stfine at Oct. 9, 2016
Gounod - Faust (Beczala, Abdrazakov, Agresta; Pérez) 2016

Gounod - Faust (Beczala, Abdrazakov, Agresta; Pérez) 2016
AVC, 898x504 (16:9), 2.2 mbps, 30 fps | AAC 256 Kbps, 2 ch | 01:48:22 + 01:13:09 | 3.1 GB
Classical, Opera | Salzburg Festival | HDTV->MP4

The Salzburg Festival presents one of Charles Gounod's most well-loved opera: Faust, in a new production staged by Reinhard von der Thannen, conducted by Alejo Pérez and starring Piotr Beczala.
Isabelle Faust, Alexander Melnikov - Brahms: Violin Sonatas, Opp. 100 & 108; Schumann: Three Romances, Op.94 (2015)

Johannes Brahms: Violin Sonatas, Opp. 100 & 108; Robert Schumann: Three Romances, Op.94 (2015)
Isabelle Faust, violin; Alexander Melnikov, piano

EAC | FLAC | Image (Cue&Log) ~ 335 Mb (incl 5%) | Scans included | Time: 01:17:49
Genre: Classical | Label: Harmonia Mundi | # HMC 902219

A 19th-century ‘trio sonata’. Isabelle Faust and Alexander Melnikov have already given us an acclaimed version Brahms’s First Violin Sonata, in 2007. They now complete the cycle with the other two sonatas of 1886 and 1888, and add a fascinating rarity dating from 35 years earlier: the ‘F-A-E’ Sonata, a collaborative effort by three composers in honour of the great violinist Joachim, who had to guess who had written which movement! He did so with ease, for the Scherzo is as eminently Brahmsian as the Intermezzo and Finale are Schumannesque. Alexander Melnikov will be contributing his take on a score his mother gave him that belonged to Sviatoslav Richter in September BBC Music Magazine.

Berlioz - La Damnation de Faust (Sylvain Cambreling) (2000)  Music

Posted by Vilboa at Sept. 24, 2016
Berlioz - La Damnation de Faust (Sylvain Cambreling) (2000)

Berlioz - La Damnation de Faust (Sylvain Cambreling) (2000)
PAL 16:9 (720x576) VBR | Français (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 7.60 Gb (DVD9) | 146 min
Classical | Arthaus Musik | Sub: English, Deutsch, Nederlands

This imaginative staging of Berlioz's dramatic symphony for chorus, soloists and orchestra relies heavily on the moving of massed choirs across a large stage. It has vivid lighting effects–rather too many of them using strobes–and monolithic multi-purpose sets, in particular a revolving glass drum which functions both as cinema screen and rostrum for singers, so that the final ride to Hell, for example, is sung by Mephistopheles and Faust above a cavalcade of projected horses, like the inside of a zoetrope. The three main soloists have voices on a scale that can compete with these flashy production values–White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. (Roz Kaveney)