Though it was the least well received by its intended dedicatee – Pablo de Sarasate – the third violin concerto of Camille Saint-Saëns has endured as one of his most popular concertos along with the A minor Cello Concerto and the Third Piano Concerto. The earlier two violin concertos, each written some 20 years before, are still noteworthy, lively concertos, but lack the same emotional impact and maturity of the seasoned B minor Concerto. What they may lack in depth is made up for with pyrotechnic virtuosic displays, perhaps explaining Sarasate's fondness. This Naxos album places the B minor Concerto first, ending with the C major Concerto, a program order that curiously seems to place the bigger "bang" finish at the beginning, closing with a less emphatic note.
This beautiful recording, once long out-of-print, is now remastered in high definition multi-channel hybrid SACD, and is the first album made by Jordi Savall for the Astrée label, now reissued on Alia Vox. With this rare 1975 disc, Savall confirmed François Couperin as a master composer for viola da gamba with affinities to the previous masters of French music. On the recording Mr. Savall plays an authentic 7-string bass viol, anonymously constructed in 17th century France. He is joined by musicians Ton Koopman playing a Gilbert des Ruisseaux harpsichord built in the late 17th century and Ariane Maurette playing a Barak Norman bass viol constructed in London in 1697. Couperin’s music for these colorful instruments is marvelous, contemplative and beguiling. The highly collectible album, a must-have of the Savall oeuvre, is now available again and features a very informative booklet.