Feldman Clarinets

Carol Robinson, Quatuor Diotima & Soloists - Morton Feldman: Late Works with Clarinet (2003)

Carol Robinson, Quatuor Diotima & Soloists - Morton Feldman: Late Works with Clarinet (2003)
XLD | FLAC (tracks+.cue, log) | Covers Included | 01:09:29 | 228 MB
Genre: Classical | Label: Mode | Catalog: mode 119

One of the characteristics of Morton Feldman's music is the way silences are thrown into stark relief. Each silence - freighted with memory, charged with expectation - becomes a unique presence in the music more than merely an absence of it. Though his silences are measured in units of time, they also contain an intimation of infinity. The music of the "classical" tradition slows down, speeds up, layers and otherwise manipulates time. Of the other arts, only cinema plays with our temporal perception to a greater degree.
Jill Feldman, Nigel North, Sarah Cunningham & Davitt Moroney - Purcell: Ayres & Songs from Orpheus Britannicus (2017)

Jill Feldman, Nigel North, Sarah Cunningham & Davitt Moroney - Purcell: Ayres & Songs from Orpheus Britannicus
Classical | WEB FLAC (tracks) & d. booklet | 139:46 min | 575 MB
Label: Arcana | Tracks: 38 | Rls.date: 2017

It is an important moment in the life of a singer when she is able to confront the standard repertory. After years spent studying theatre and music in Shakespeare's England under the guidance of musicologist Philip Brett, Jill Feldman recorded two programmes of Henry Purcell's music in 1992, reissued here as a double CD. Many of the Ayres and Songs from Orpheus Britannicus are connected to the English theatrical tradition. In the earliest piece on this CD, From Silent Shades , and the latest, From Rosy Bow'rs , we hear one theatrical tradition placing the voice of truth in the mouth of a madman.

Sample Modeling SWAM The Clarinets v2.5.3 64bit WiN  Software

Posted by orientazure at June 30, 2017
Sample Modeling SWAM The Clarinets v2.5.3 64bit WiN

Sample Modeling SWAM The Clarinets v2.5.3 64bit WiN | 122 Mb

All Samplemodeling Virtual Instruments of the Brass family have been developed on the Kontakt™ platform produced by Native Instruments. The Trumpet and Trombone, as well as the French Horn and Tuba, exploit the Harmonic Alignment Technology, developed by Giorgio Tommasini, for real time building of articulations.
John Zorn - Malphas: Book Of Angels, Volume 3 (2006) {Tzadik TZ 7354} (Mark Feldman and Sylvie Courvoisier)

John Zorn - Malphas: Book Of Angels, Volume 3 (2006) {Tzadik TZ 7354} (Mark Feldman and Sylvie Courvoisier)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 213 Mb | MP3 @320 -> 112 Mb | Artwork | 5% repair rar
© 2006 Tzadik | TZ 7354 | Tzadik Archival Series
Jazz / Classical / Modern Jazz / Chamber Jazz / Piano / Violin

A spectacular presentation of eleven new compositions from Zorn’s Book of Angels by two passionate virtuosos whose work together is never less than perfection itself. Contextualizing the music into a classical recital for violin and piano, this is the chamber music of the future. Exciting and breathtaking, Mark and Sylvie have put together a program filled with imagination, lyricism and an intense energy. New Jewish music by one of the greatest violin/piano pairings ever. This is a whole new all-encompassing direction for classical music.
Morton Feldman, Erik Satie, John Cage - Rothko Chapel (2015) {ECM New Series 2378}

Morton Feldman, Erik Satie, John Cage - Rothko Chapel (2015) {ECM New Series 2378}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 162 Mb
Full Artwork @ 300 dpi (png) -> 130 Mb | 5% repair rar
© 2015 ECM Records | ECM New Series 2378
Classical / Avant-Garde / Chamber Music

This is a marvelous release, equally perfect in conception, execution, and engineering. The program locates the intellectual origins of the American avant-garde composers Morton Feldman and John Cage not in postwar European developments, but in the music of Erik Satie, who with each decade seems a more pioneering figure. Feldman and Cage here seem not modernists, but postmodernists. Front and center at the beginning is Feldman's masterpiece Rothko Chapel (1967), a chamber-ensemble-and-chorus evocation of the Houston, Texas, chapel adorned with paintings by, and partly designed by, the Abstract Expressionist painter Mark Rothko.
Morton Feldman - Schleiermacher - The Late Piano Works Vol. 2 (2009, MDG "Scene" # 613 1522-2) [RE-UP]

Morton Feldman - Steffen Schleiermacher - The Late Piano Works Vol. 2
EAC+LOG+CUE | FLAC: 120 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Scene" # 613 1522-2 | Country/Year: Germany 2009
Genre: Classical | Style: Contemporary, Avant-Garde

…If you're unfamiliar with Feldman's nuanced, nondevelopmental music, this may not be the easiest point of entry, but . . . well, there probably isn't an easy point of entry after all, so why not just dive in?

VA - Rothko Chapel: Morton Feldman, Erik Satie, John Cage (2015)  Music

Posted by tomashass at July 19, 2016
VA - Rothko Chapel: Morton Feldman, Erik Satie, John Cage (2015)

VA - Rothko Chapel: Morton Feldman, Erik Satie, John Cage (2015)
MP3 320 kbps CBR | 01:10:20 | 161 MB
Genre: Classical | Label: ECM New Series

The album 'Rothko Chapel' addresses a network of musical relationships and inspirations, taking as its main focus Morton Feldman's work named for the Houston, Texas multi-faith chapel built to house Mark Rothko's site-specific paintings.

Victor Feldman - Merry Olde Soul (1961) {Riverside}  Music

Posted by tiburon at Feb. 14, 2016
Victor Feldman - Merry Olde Soul (1961) {Riverside}

Victor Feldman - Merry Olde Soul (1961) {Riverside}
EAC 0.95pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 226MB + 5% Recovery
Genre: Straight-Ahead Jazz, Bop

Victor Feldman's one Riverside date as a leader (which has been reissued on CD) features him playing piano on five songs and vibes on four others (three of which add Hank Jones on piano). Joined by bassist Sam Jones and drummer Louis Hayes (both of whom were at the time, with Feldman, the rhythm section of the Cannonball Adderley Quintet), Feldman is in excellent form on a straight-ahead set. The trio/quartet performs five standards that for the most part are not overly familiar, plus four of the leader's originals. Tasteful and swinging music.

Victor Feldman - Smooth (1986) {TBA Records}  Music

Posted by tiburon at Feb. 13, 2016
Victor Feldman - Smooth (1986) {TBA Records}

Victor Feldman - Smooth (1986) {TBA Records}
EAC 0.99pb4 | FLAC Image | Cue+Log | Scans 300dpi | 267MB + 5% Recovery
MP3 CBR 320 Kbps | 103MB + 5% Recovery
Genre: Jazz-Funk, Smooth Jazz

A versatile British pianist and vibist who found a home in America playing bebop, cool, swing, big band, and rock effectively. Victor Feldman was a child prodigy who was a professional from the age of seven and sat in on drums with Glenn Miller's Army Air Force Band in 1944 when he was ten. He cut jazz dates for Choice, Concord, Palo Alto, and TBA and in the 1980s up until his death he led a soulful crossover group (the Generation Band) that often featured his son, Trevor Feldman, on drums.

Victor Feldman - Rio Nights (1987) {TBA Records}  Music

Posted by tiburon at Feb. 13, 2016
Victor Feldman - Rio Nights (1987) {TBA Records}

Victor Feldman - Rio Nights (1987) {TBA Records}
EAC 1.1 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 249MB + 5% Recovery
Genre: Fusion, Post-Bop, Latin Jazz, Jazz-Funk

If one is to believe the dates given on this LP, three of the selections were recorded by keyboardist Victor Feldman just two days before his death. More likely is that those straight-ahead acoustic numbers with bassist John Patitucci and drummer Trevor Feldman were previously unreleased tunes from their 1983 date. The later tracks ("Don't Ask Oscar," "You Gave Me the Runaround" and "Basin Street Blues") are actually the high point of this album, for the other seven numbers (originally released as In My Pocket by the Coherent Sound label in 1988) are electronic, funky and rather lightweight.