One of the characteristics of Morton Feldman's music is the way silences are thrown into stark relief. Each silence - freighted with memory, charged with expectation - becomes a unique presence in the music more than merely an absence of it. Though his silences are measured in units of time, they also contain an intimation of infinity. The music of the "classical" tradition slows down, speeds up, layers and otherwise manipulates time. Of the other arts, only cinema plays with our temporal perception to a greater degree.
A spectacular presentation of eleven new compositions from Zorn’s Book of Angels by two passionate virtuosos whose work together is never less than perfection itself. Contextualizing the music into a classical recital for violin and piano, this is the chamber music of the future. Exciting and breathtaking, Mark and Sylvie have put together a program filled with imagination, lyricism and an intense energy. New Jewish music by one of the greatest violin/piano pairings ever. This is a whole new all-encompassing direction for classical music.
Victor Feldman's one Riverside date as a leader (which has been reissued on CD) features him playing piano on five songs and vibes on four others (three of which add Hank Jones on piano). Joined by bassist Sam Jones and drummer Louis Hayes (both of whom were at the time, with Feldman, the rhythm section of the Cannonball Adderley Quintet), Feldman is in excellent form on a straight-ahead set. The trio/quartet performs five standards that for the most part are not overly familiar, plus four of the leader's originals. Tasteful and swinging music.
A versatile British pianist and vibist who found a home in America playing bebop, cool, swing, big band, and rock effectively. Victor Feldman was a child prodigy who was a professional from the age of seven and sat in on drums with Glenn Miller's Army Air Force Band in 1944 when he was ten. He cut jazz dates for Choice, Concord, Palo Alto, and TBA and in the 1980s up until his death he led a soulful crossover group (the Generation Band) that often featured his son, Trevor Feldman, on drums.
If one is to believe the dates given on this LP, three of the selections were recorded by keyboardist Victor Feldman just two days before his death. More likely is that those straight-ahead acoustic numbers with bassist John Patitucci and drummer Trevor Feldman were previously unreleased tunes from their 1983 date. The later tracks ("Don't Ask Oscar," "You Gave Me the Runaround" and "Basin Street Blues") are actually the high point of this album, for the other seven numbers (originally released as In My Pocket by the Coherent Sound label in 1988) are electronic, funky and rather lightweight.
"Johannes (Hans) Wolfgang Zender (born 22 November 1936 in Wiesbaden) is a German conductor and composer. (…) From 1988 until 2000 Zender taught composition at the Hochschule für Musik und Darstellende Kunst in Frankfurt am Main. In 1997 Zender was awarded the Goethe Prize of the City of Frankfurt. Since 1999 he has been Permanent Guest Conductor of the Southwest German Radio (SWR) Symphony Orchestra in Baden-Baden and Freiburg…"