This exceptional 3CD set features the biggest hits and most sought after extended mixes that were so special to the 80s. The biggest artists of the era are featured including Wham!, Frankie Goes To Hollywood, Human League, Tears For Fears, Soft Cell and Spandau Ballet. It includes many sought after mixes including the Dance Mix of Sledgehammer, the Night Version of Girls On Film, The Extended Version of All Cried Out and the 12inch New York Mix of Relax.
The 80s was the decade of the 12 inch. In the UK, all previous instalments of this series sold extremely well and received widespread critical acclaim. The Guardian called the series a "genuine act of music archaeology". From the pop dance genius of Frankie Goes To Hollywood's Relax and Donna Summer's I Feel Love through to the more alternative Lullaby by The Cure, and onto classics such as Teardrops by Womack & Womack… This 3CD compilation has it all, in its full 12" glory.
2011 three CD set. 38 tracks. Compilation includes: Simple Minds, The Bangles, Talking Heads, Talk Talk, Robert Palmer, Kim Wilde, Maxi Priest, UB40, Rick Astley, Thomas Dolby, Dead or Alive, The Human League, Duran Duran, Ultravox, Spandau Ballet, Culture Club, Erasure, Yazoo and more and more.
Known for his solo hits in the 1980s as well as his hits with the band Smokie in the '70s, Chris Norman is a British soft rock singer with an international following whose career spans several decades. As Smokie's popularity trailed off around the turn of the decade, Norman split from the band and made his solo album debut in 1982 with Rock Away Your Teardrops…
This collection highlights the very best extended mixes released by Virgin Records on the company’s famed Front Line label, from 1976 to 1981. The 2CD set brings together the most sought-after reggae discomixes of the late 70s and early 80s and includes numerous recordings new to CD. Despite the fact that front line have already produced compilations recently that feature a fair number of discomixes ('presents roots' and 'sounds of reality'), they have still been able to squeeze out a mighty fine collection of such, as a stand alone set. Despite the brevity of the label's existence, the quality of material produced is nothing short of phenomenal, but i imagine that this will be the last in the series, as front line's timespan precludes both rocksteady and dancehall. The only real possibility for a further volume would be a 'deejay' set' although, again, a fair number of these were included in the 'roots' album (and here!).