Based out of Vancouver, Canadian bowed guitar player and trumpeter C. Diab creates music that conjures the beauty of the landscapes and awe-inspiring wilderness of his childhood home in the Vancouver Island town of Port Hardy. Having gained critical acclaim with the release of his debut album 'No Perfect Wave' (2016) and his collaborative works with Ian William Craig, C. Diab is pleased to announce the release of his sophomore album 'Exit Rumination', on 30th March via Injazero Records. 'Exit Rumination' is packed with the skilful guitar and trumpet playing and tape manipulation that made 'No Perfect Wave' so special but comes from a darker, more devastating place. It is a hypnotic, meditative, mesmerising affair which immerses the listener even deeper in his universe.
There's no denying that Fountains of Wayne know how to craft a great pop record. They know how to write a hook, they can pull of mild rockers and sweet ballads with equal aplomb, and they write melodies that feel like half-forgotten favorites. They have all the elements of a classic power pop band but they suffer from that peculiar '90s ailment – detachment. For all their flair, talent, and craftsmanship, the band don't really dig deeper than the surface. Of course, that doesn't mean they make bad records, and their second album, Utopia Parkway, is, if anything, every bit as good as their fine debut. All the songs immediately make a connection and all of their melodic attributes simply strengthen with repeated listens. However, those repeated listens reveal that Fountains of Wayne don't have a lot to say. That's not a cardinal sin in guitar pop, since most bands simply recycle the same lovelorn themes, but Fountains choose to have fun with clichés, throwing in goofy asides even in their ballads.