The Allman Brothers Band's fifth live release in 25 years, cut during 1994 in Raleigh, NC, and at the Garden State Arts Center in New Jersey, is a high-water mark in their Epic Records catalog. If anything, they're even better here than they were on the earlier Evening with the Allman Brothers Band, the old material getting fresh new approaches – the band was on for both nights, and presented sets, including an acoustic version of "In Memory of Elizabeth Reed" and "Jessica" (which won a Grammy Award), that soared and flowed, especially Dickey Betts and Warren Haynes' guitars. What's more, the clarity of the recording and the volume at which it was recorded make this a most rewarding 70 minutes of live music on a purely technical level – you can practically hear the action on the guitars during the acoustic set. It won't replace Live at Fillmore East or the live portions of Eat a Peach, but it deserves a place on the shelf not very far from them.
An Evening with the Allman Brothers Band: First Set is the thirteenth album by the rock group the Allman Brothers Band. It was recorded live in December 1991 and March 1992, and released in 1992. An Evening with the Allman Brothers Band: First Set was the first live Allman Brothers Band album, and the third overall, to feature Warren Haynes on guitar and Allen Woody on bass. Haynes and Woody had joined the group when it reformed in 1989.
Live at Ludlow Garage 1970 features 91 minutes of the Allman Brothers Band in concert at a Cincinnati venue that they loved, nearly a year before their legendary Fillmore shows. The acoustics are good, though a little shaky – the tape was made at seven-and-a-half IPS, the bare minimum professional standard, which leaves more hiss than one might like and a bit less clarity than a fully professional live album might show. On the other hand, the group's sound imparts its own punch and clarity, and it was done in stereo, and if not for the existence of the Fillmore tapes, and the fact that the albums they yielded sold a kajillion copies, this show might well have been released in the 1970s. It isn't as intense as the Fillmore shows, but it does capture the group as a little-known working band with but a single album out and building a reputation – and with Dickey Betts yet to emerge as either a singer or composer and their sound still being worked out ("Statesboro Blues" gets a startlingly subdued performance, anticipating the acoustic version of "In Memory of Elizabeth Reed" from the '90s recording An Evening with the Allman Brothers Band: 2nd Set).
Essentially the Allman Brothers Band's Gold collection is an expanded version of both the Universal Masters and 20th Century Masters collections. It contains two discs that total 30 cuts and cover the band's catalog from 1969's Allman Brothers Band to 1975's Enlightened Rogues. There are five cuts from the first album, including the original studio version of "Whipping Post," and four from Idlewild South, including the studio read of "Midnight Ride." The cuts from At Fillmore East number four with the inclusion of the 13-minute "In Memory of Elizabeth Reed," and five from Eat a Peach, including "Melissa," "Blue Sky," and "Ain't Wasting Time No More." Five cuts come from Brothers and Sisters and, yes, "Ramblin' Man" and "Jessica" are among them…
Mycology: An Anthology collects highlights from the Allman Brothers' '90s work for Epic Records.
Filmed in Baden Baden, Germany, July 5th, 1991.
The story of the Allman Brothers Band is one of triumph, tragedy, redemption, dissolution, and more redemption. Since their beginning in the late '60s, they went from being America's single most influential band to a shell of their former self trading on past glories, to reach the 21st century resurrected as one of the most respected rock acts of their era.
Released a year after Eat a Peach, Brothers and Sisters shows off a leaner brand of musicianship, which, coupled with a pair of serious crowd-pleasers, "Ramblin' Man" and "Jessica," helped drive it to the top of the charts for a month and a half and to platinum record sales. This was the first album to feature the group's new lineup, with Chuck Leavell on keyboards and Lamar Williams on bass, as well as Dickey Betts' emergence as a singer alongside Gregg Allman. The tracks appear on the album in the order in which they were recorded, and the first three, up through "Ramblin' Man," feature Berry Oakley - their sound is rock-hard and crisp…