Remembering, written in memory of Evan Scofield, is Mark-Anthony Turnage’s response to the young man’s premature death from cancer in 2013, at the age of 26. Turnage knew Evan as the son of family friends, the jazz guitarist John Scofield and his wife Susan, and the sister of Jeannie, the partner of Ursula. A boy whose quirky but deep rooted enthusiasms – for cinema, axes, hyacinths, friends – reflected a readiness to take on life in all its fullness, a young man whose ways of seeing seemed so good, so full of promise and possibility. Such early deaths strike us less like personal tragedies and more like cosmic catastrophes. What kind of a world is it that allows such things to happen?
Taking as their inspiration the Greek myth of Orpheus, European improv king Evan Parker (tenor and soprano saxophone) and Invaders of the Heart alumni Clive Bell and Jean-Pierre Rasle invest in a series of stark, repetitive bass and drum structures on Passage to Hades. At the music's core is the rhythm axis of Jah Wobble and Mark Sanders. The duo maps out the territory, delivering all that's required and more through minimal means. It's a refreshing change of scenery for Parker, who's normally heard in avant-garde ensembles or blazing solo performances. Here, he's confined to a stark, muscular groove and he responds beautifully. Like the later recordings by John Coltrane (an early influence), the saxophonist unleashes an abundance of dialog on his instruments, though he never quite reaches the torrents of sound one might expect.
Artistic Associate Christopher Wheeldon draws on the same music and design team used for the popular production of Alice's Adventures in Wonderland to create an evocative reimagining of The Winter's Tale, Shakespeare's enduring story of jealousy, compassion and forgiveness.