The 40 tracks compiled on this two-disc set represent the entire span of pianist and singer Leroy Carr's recording career that spanned a brief seven years, from 1928-1935. The material represented here – all but one of these tracks were recorded for the Vocalion label – features accompaniment by guitarist Scrapper Blackwell on all but one selection, and Josh White on a handful as well. Carr's material here ranges from the classic piano blues of the era that spawned Ma Rainey and Bessie Smith to vaudeville and hokum tunes made popular by artists like Tampa Red and Georgia Tom. Carr's voice is the haunting thing here; it's higher and very clear, sweet almost, as evidenced by most of these sides. But there was an edge, too; one that belied a kind of pathos underneath even the most cheery material – check "Mean Mistreater Blues" or "Bread Baker." But the darker material such as "Suicide Blues" (one of six previously unissued performances), "Straight Alky Blues," or "Shinin' Pistol," is strange and eerie given Carr's smooth approach. Carr may not be the most well-known bluesman of the era, but his contribution is profound and lasting. This collection puts to shame almost all others with the exception of the multi-volume complete recordings on Document.
Ennio Morricone is one of the most inimitable composers in contemporary music- the trumpeter who broke with convention and mastered composition, the pop arranger who melded the wonders of non-instrumental sounds with airwave-ready song structure, the writer of concert hall symphonies, practitioner of the avant-garde, master of the melodic, and ultimately, the creator of some of the most innovative and memorable movie soundtracks of the 20th century. Given the sheer size and diversity of the man’s output, any Morricone fan is sure to have individual pieces that resonate more for them than others. But here they are: Ennio Morricone's 32 Greatest Musical Cues.
The Best of Gary Numan 1978–1983 is a double disc compilation album of Gary Numan's singles and selected album tracks released on the Beggars Banquet Records label. It was promoted by the remixed re-release of "Cars". The contents of the enclosed twelve page booklet are identical to the one included with the previously released Exhibition compilation album. It contains various pictures from the years in question and an extensive chronological essay by Francis Drake.
Men at Work were one of the more surprising success stories of the new wave era, rocketing out of Australia in 1982 to become the most successful artist of the year. With its Police-styled rhythms, catchy guitar hooks, wailing saxophones, and off-kilter sense of humor, the band's debut album, Business as Usual, became an international blockbuster, breaking the American record for the most weeks a debut spent at the top of the charts. Their funny, irreverent videos became MTV favorites, helping send "Who Can It Be Now?" and "Down Under" to number one. Men at Work's momentum sustained them through their second album, 1983's Cargo, before the bottom fell out of the band's popularity. After releasing Two Hearts in 1985, Men at Work broke up, becoming one of the better-remembered phenomena of new wave.