All-Time Greatest Hits is a 2-LP compilation album by Roy Orbison released in 1972, featuring the original Monument Records recordings. The album was re-released on compact disc by CBS Records in 1989. The album was given a high-quality digital remastering from the original analog master tapes by Steve Hoffman for DCC Compact Classics, Inc. in 1997, catalog number GZS-1118.
A Retitled CD Reissue Of 1986 release "Bachman-Turner Overdrive - Live Live Live." Live!-Live!-Live! (Curb Records, 1986) is an album containing live recordings from 1985 Bachman-Turner Overdrive concerts in Tallahassee, FL and Detroit, MI. It was recorded with the lineup from the Bachman-Turner Overdrive 1984 reunion album - a short-lived line up of the band featuring founding members Randy Bachman, Tim Bachman, and C. F. "Fred" Turner, who had not played together since Tim's departure after the second BTO album. This lineup was joined by drummer Garry Peterson from Randy's old band, The Guess Who…
This single CD “25 All-Time Greatest Hits”, released by the now defunct Varese Sarabande from US in 2000, contains 25 songs.
If Rhino's Very Best of the Drifters is a fine R&B snack, then All-Time Greatest Hits & More: 1959-1965 is a three-course gourmet meal with dessert built on the same ingredients. Forget about the higher price and the fact that 40 songs might seem to be more Drifters than most casual listeners would want – All-Time Greatest Hits & More: 1959-1965 is a towering and magnificent collection of some of the best popular R&B ever done this side of Sam Cooke. And, as with Sam Cooke, the beautiful part of the Drifters' work during this period is that any look beyond and behind their hits reveals a lot more songs that were every bit as good as those hits. There's not even a slightly weak track anywhere on All-Time Greatest Hits & More, which contains the biggest hits Ben E. King, Rudy Lewis, and Johnny Moore sang for the group. "There Goes My Baby," "This Magic Moment," "Save the Last Dance for Me," "Sweets for My Sweet," "I Count the Tears," "Some Kind of Wonderful," "Up on the Roof," "On Broadway," and "Under the Boardwalk" are all here, mastered in surprisingly good sound for the late '80s.
It took quite a while for a definitive Barry White compilation to hit the market, but All-Time Greatest Hits – part of Mercury's Funk Essentials series – finally filled the bill in 1995. Boasting a full 20 tracks from White's heyday of 1973-1978, more than half of which made the R&B Top Ten, All-Time Greatest Hits is easily the most generous single-disc White collection on the market. It includes the edited single versions, not the full-length album tracks, which actually makes for a more digestible introduction to White's achievements. Like his forebear Isaac Hayes, White was not just a deep-voiced crooner, but a talented producer and arranger who'd spent years honing his craft behind the scenes in the industry. And like Hayes, White spent a great deal of time setting up moods on his albums, using lush, sweeping orchestrations to build very gradually to climaxes. (Actually, that probably explains a good deal of his effectiveness.) But White was not simply a Hayes disciple; his swirling productions were less complex than Hayes', but more in tune with the emerging disco sound, which certainly boosted his popularity.
This is a great collection of The 5th Dimension on 3 CDs. It would have easily fit on 2 CDs but I guess it was a marketing scheme to make people think they were getting more for their money. Nonetheless, it is still a great collection and features some tracks you will be hard pressed to find anywhere else. The fans of this group will not want to miss this one.
Lynyrd Skynyrd's 2000 compilation All Time Greatest Hits suffers from the same ailments that plague many compilations of its time, but there is one problem in particular that hurts it: instead of offering all of the "all time greatest hits" on one disc, the compilers pulled their punches, overlooking a few big songs while occasionally substituting live or acoustic versions for the original studio versions. That means that this is a Skynyrd compilation without the famed original recording of "Free Bird" – a live version is here instead. It doesn't really matter that it's a good version, taken from 1976's One More from the Road, or that the live version actually charted in the Top 40; nor does it matter that "All I Can Do Is Write About It" is a good acoustic version originally released on the eponymous 1991 box set, because this is a collection made for a general audience. It should, therefore, have the versions that a general audience knows best.