Digitally remastered deluxe collector's box set of Michel Cretu and Co.'s 5 original studio CDs ("MCMXC A.D.", "The Cross Of Changes", "Le Roi Est Mort", "The Screen Behind The Mirror" and "Voyageur") plus both of their DVD collections (in PAL/Region 2 formats), "MCMXC a.D." and "Remember The Future". The set also includes a 6th disc featuring something quite unique…
A greatest-hits package sampling four Enigma discs released between 1990 and 2000, LSD splendidly documents the influential output of Michael Cretu, a techno-bohemian who successfully creates cinematic, otherworldly New Age-like musical suites. Now, more than a decade removed from the arrival of Sadeness (Part 1) and its eyebrow-raising mix of sacred and sensual subplots, people can debate whether Cretu's music represents savvy commercial calculation or satisfying art. LSD suggests a split decision, though tracks with intriguing blends of atmosphere and rhythm, such as "Gravity of Love," "T.N.T. for the Brain" and "Morphing Thru Time," reveal an inventiveness that demonstrates Cretu is capable of more than sophisticated novelty tunes. Two new songs, neither especially noteworthy, open this package. Meanwhile, remastered older tracks segue beautifully to exude a satisfying, seamless unity. Big bonus: run time exceeds 76 minutes.Terry Wood
CRI (Composers Recordings Inc., a non-profit, composer-directed American new music label) introduced their "blueshift" imprint in 2001 with this unique merging of jazz and the music of Charles Ives. The recording itself, however, was made in November, 1988 at Tedesco Studios in New Jersey and engineered by Jon Rosenberg, produced by Matt Moran and Adam Good (the vibraphone player and the guitarist, respectively, on the recording). The other musicians are John Hollenbeck (drums and other percussion) and Oscar Noriega (alto saxophone and bass clarinet).
The Book of Genesis tells us that in the beginning was the Word and that the Word was sound. But what if it was music? What if God, in contemplating the creation of Creation, sang being into being? If so, it might have sounded something like the Sacred Songs of Valentin Silvestrov. In this seventh ECM album devoted to the Ukrainian composer’s music, we thusly encounter a sense of space unique to the Russian liturgy: the more the voices unify in movement, the more they lift from one another like temporary tattoos, leaving behind mirror images that wash away with baptism into infinite oneness with the Holy Spirit. Sin as sun. Firmament as fundament.