This is the most beautiful of Mozart playing, his last piano concerto given here by Emil Gilels with total clarity. This is a classic performance, memorably accompanied by the VPO and Böhm. Suffice it to say that Gilels sees everything and exaggerates nothing, that the performance has an Olympian authority and serenity, and that the Larghetto is one of the glories of the gramophone. He's joined by his daughter Elena in the Double Piano Concerto in E flat, and their physical relationship is mirrored in the quality, and the mutual understanding of the playing: both works receive marvellous interpretations. We think Emil plays first, Elena second, but could be quite wrong. The VPO under Karl Böhm is at its best; and so is the quality of recording, with a good stereo separation of the two solo parts, highly desirable in this work.
Every man's death diminishes us all, but the death of a man so close to completing his greatest achievement and the summation of his life's work diminishes us all greatly – very, very greatly. When Emil Gilels died in 1985, he had completed recordings of most but not all of Beethoven's piano sonatas, released here in a nine-disc set. What's here is unimaginably good: superlative recordings of 27 of the 32 canonical sonatas, including the "Pathétique," "Moonlight," "Waldstein," "Appassionata," "Les Adieux," and the majestic "Hammerklavier," plus the two early "Electoral" Sonatas and the mighty Eroica Variations. What's missing is unimaginably priceless: five of the canonical sonatas, including the first and – horror vacui – the last. But still, for what there is, we must be grateful. Beyond all argument one of the great pianists of the twentieth century, Gilels the Soviet super virtuoso had slowly mellowed and ripened over his long career, and when he began recording the sonatas in 1972, his interpretations had matured and deepened while his superlative technique remained gloriously intact straight through to the last recordings of his final year.
Ce portrait inédit de la France fut écrit en 1941, au cœur des années sombres, par Emil Cioran, philosophe roumain qui adopta la langue française par la suite pour rédiger ses nombreux ouvrages. Ce court livre, édité par L'Herne, se lit aujourd'hui avec émotion, tant les accents de lucidité et de pessimisme auxquels cet auteur nous a habitués font réfléchir sur les ressorts profonds d'un pays à la fois jouisseur et désespéré. …
This release features a previously-unreleased recording of pianist Emil Gilels, captured live in an acclaimed 1964 Seattle recital. With the exception of a single work, this recital has never before been made available to the general public and is now being released for the first time. Released in time to celebrate the pianist’s 100th anniversary, the recital includes works by Beethoven, Chopin, Debussy, Prokofiev, Stravinsky and more.
Emil goes to Berlin to see his grandma with a large amount of money and is offered sweets by a strange man that make him sleep. He wakes up at his stop with no money, it is up to him and a group of children to save the day.
Firma Melodiya presents a set of rare recordings by Emil Gilels.The world knows many talented pianists and a few great masters who tower above them all. Emil Gilels is one of them. The titans of piano like Gilels are borne once in a century. Those were the kind of reviews that accompanied Gilels throughout his pianistic career beginning with his victory at the all-union competition in 1933 in Moscow. However, this set will open new sides to Gilelss repertoire even to those who is well acquainted with his recordings. We will hear Emil Gilels as an ensemble musician.The titan of piano, who roused the audiences and orchestras, was able to turn into a fine chamber musician, a wonderful ensemble partner as though he dissolved his brightest individuality in a piece he performed. The more so because Gilelss partners were truly brilliant soloists such as Yakov Flier and Yakov Zak (piano), Elizaveta Gilels (violin), musicians from the Beethoven Quartet Dmitri Tsyganov (violin), Vadim Borisovsky (viola) and Sergei Shirinsky (cello). The set features compositions from various periods.
Mit originellen und vergnüglichen Aufgaben führen Emil und Pauline Grundschüler auf spielerische Art und Weise an die erste Fremdsprache heran. Die in der Schule erworbenen Fähigkeiten werden verfestigt und vertieft. Die Lernspiele von Almuth Bartl steigern effektiv die Lernerfolge der Kinder, indem sie die aktuellsten Erkenntnisse aus Pädagogik, Fachdidaktik und Psychologie kindgerecht umsetzen. …