The musical talents of Elizabeth-Claude Jacquet, who became Jacquet de La Guerre at her marriage in 1684 to the organist Marin de la Guerre, attracted the patronage of Louis XIVs court while she was still little more than a child. She was an admired singer, virtuoso player of the harpsichord and composer of at least one opera (Cphale et Procris, 1694), a number of cantatas both secular and sacred, trio sonatas and the harpsichord works recorded here.
Don't expect Telemann's Violin Concertos to match the Viola Concerto in lyric generosity or sheer memorability. He composed at least twenty violin concertos for his own use (he was a noted multi-instrumentalist), the earliest dating from c. 1707-08. They adhere to his usual Franco-Italian models, though are constructed with such cleverness and authority, and technical understanding, that the Corellian, Vivaldian and French elements are, if not absorbed into the bloodstream, at least present without sounding to be pastiche.