Here's a recording that doesn't introduce its star name until it's more than half over, and works quite well on that account. The understanding of the opening work, Alban Berg's six-movement Lyric Suite (1926), has evolved since scholars discovered a secret copy of the work that, despite its use of the abstract 12-tone system, outlines a quite specific program depicting the course of the composer's extramarital affair with Dorothea Robetin the previous year. The finale was even shown to contain an unsung melody, a setting of a very relevant Baudelaire poem, and to be performable with the melody sung.
These first complete recordings of the string quartets of Schoenberg, Berg, Webern and Zemlinsky have won numerous international awards and been hailed as landmarks in the discography of 20th-century music. Impeccable ensemble, superbly blended timbre and pure intonation ….This set [Schoenberg, Berg, Webern] is indeed a wonderful achievement (MusicWeb International). Febrile intensity and faultless proportioning of each formal structure [Zemlinsky] (Guardian).
What many of her collectors don't know is that Elizabeth has been a teacher of art for almost as many years as she has been a painter. She is a clear and articulate instructor and can explain what and why she is doing on the canvas at any point in the process. For this reason, she has made a fantastic educational DVD on how she paints the still life in this program. She spent almost a week in our studio, filming three programs to be released in sequence. When she was finished, it was difficult to decide which to release first, as they were all equally stunning. And, all three are equally informative.