British supergroup Electronic was the intermittent collaboration formed by Joy Division/New Order vocalist Bernard Sumner and ex-Smiths guitarist Johnny Marr. Also featuring the Pet Shop Boys' Neil Tennant, the band was an influential taste-making force that released three groundbreaking albums throughout the '90s before its members moved on creatively. For the time that these dynamic artists came together as Electronic, their dance-flavored sound pulsed with the freedom they experienced making music outside of their other, higher profile groups. Though their first gig was performing for 70,000 people at L.A.'s Dodger Stadium, Electronic's collective spirit was personal and independent-minded. Infused with spirit and innovation, it made for some of the '90s most compelling U.K.-centric altrock.
320 Momentous Hits & Notable Tracks From The Warner Bros. Archives on Custom Metal USB Flash Drive The Equivalent of 20 CDs with Over 21+ Total Hours of Music!
One of the first of the blissed-out rave acts to storm the charts, and also one of the longest lasting, the Future Sound of London deserved a good singles compilation, and fortunately they get one with the Virgin retrospective Teachings from the Electronic Brain. Their highest moments were virtually always their singles, and short-form tracks offer a much easier path to understanding the music of Brian Dougans and Garry Cobain than their occasionally bloated LPs. Teachings from the Electronic Brain neglects nothing of real value, beginning with their first chart hit ("Papua New Guinea") and grabbing the best tracks from their albums Accelerator ("Expander"), Lifeforms (the title track), the live-in-the-studio ISDN ("Far-Out Son of Lung and the Ramblings of a Madman," "Smokin' Japanese Babe"), and Dead Cities ("We Have Explosive"). Best of all, licensing requirements prevented the addition of material from 2002's half-baked The Isness.
As the Seventies faded into the Eighties, Top of the Pops approached its 1000th episode, MTV launched in America, and kids across Britain were falling in love with pop music away from the TV, through a small little box called a Walkman. Through their headphones came new, strange sounds: mechanical, but organic and alive. The synthesiser was the sound of tomorrow, today, and it was thrilling.