…Thanks to the unprocessed and fully natural audio signal, all of the nuances of Schleiermacher's touch are captured, yet there is also a slight background sound that apparently comes from the performance space, not from any defect in the all-digital recording. Listeners may find that this is only a mild distraction and easy to get past once the music takes hold. This important series is recommended for all Feldman aficionados and anyone interested in the sublime expressions of his late period.
…If you're unfamiliar with Feldman's nuanced, nondevelopmental music, this may not be the easiest point of entry, but . . . well, there probably isn't an easy point of entry after all, so why not just dive in?
…It's intriguing to imagine how a very slow performance would come off, but Schleiermacher's is a fully persuasive version of a piece that could have a number of very different but valid interpretations. MGD's natural, unprocessed sound is, as is typical for the label, immaculate and vivid.
Cinema is the fourth solo album by Elaine Paige. The album was released in 1984 on Warner Music, peaking at #12 in the UK album charts. This album has been re-issued on CD. It was the second of Paige's recordings to be produced by Tony Visconti. To follow the theme of Stages, Paige chose tracks that had been previously recorded for soundtracks. Like Stages, the recording was primarily conducted at Visconti's Good Earth Studios, other than for "Sometimes" (Theme from Champions) which had been previously recorded at CTS Studios, London featuring the New World Philharmonia.