The reissue game continues. All of this material has been available more or less continuously in recent years, with the exception of Frühbeck's Three-Cornered Hat, which only resurfaced quite recently on an EMI twofer accompanied by Atlántida. The reason it reappears here, evidently, stems from the fact that this two-disc set contains all of Victoria de Los Angeles' stereo Falla recordings; and despite the fact that she sings for about 60 seconds in total in "Hat", it's always a pleasure to hear Frühbeck's big-hearted, expansively Romantic but always exciting way with the music.
This was Alicia de Larrocha’s finest account of Nights in the Gardens of Spain, fully capturing the Andalusian atmosphere of this evocative score. After all, it’s not a work about landscapes and flowers – it’s about love. Rafael Frühbeck de Burgos does a superb job of drawing perfume and color out of an English orchestra.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. Following the positive reception for Almoraima, although busy with his concerts with Santana, Paco still found time to present his personal vision of Manuel de Falla, selecting from the work of the composer from Cádiz those pieces most adaptable to the Flamenco melos (Flamenco melody). He takes pieces from the ballets El Amor Brujo and El Sombrero de Tres Picos, from the opera La Vida Breve, and one of the Siete Canciones Populares. The adaptation of these works is viewed through the prism of respect to the maestro, with the intention of serious application, though without stylistic restrictions, with the goal that the result be as Flamenco possible, an art for which Falla professed great admiration.
This Barcelona-born pianist won acclaim for her Mozart performances, but it was her interpretations of the great Spanish composers that made her a star. That's the focus of this set; all the recordings of solo Spanish piano music she made for the Spanish company Hispavox in the '50s and '60s and a live 1971 recording with soprano Victoria De Los Angeles join a Montsalvatge concerto she played in '92. In addition to a wealth of Granados ( Danza Lenta; Allegro De Concierto; Valses Poeticos Nos. 1, 2, 3, 4, 6 & 7 ) and Albeniz ( Almeria; Triana; El Polo; Lavapies; Malaga; Jerez; Azulejos; Tango; Zaragoza ), she plays Soler ( Sonata en Re Menor; Sonata en Fa Mayor ), De Falla ( Piezas Espa+Ýola; Fantasia Betica ), Turina ( Danzas Fantasticas I, II & III ) and more!
The works for stage and concert hall by Manuel de Falla starts off our new Spanish series with the BBC Philharmonic Orchestra and Juanjo Mena.
Another work of the great master of flamenco guitar. In it the greatest genius of flamenco guitar is proclaimed debtor ofm the greatest genius of the music from Andalucia, Manuel de Falla. This recording made in its time more than the novelty of a another work of Paco. It meant his show of respect and gratitude to Falla, indissolubly twinning classical music and flamenco music. Paco de Lucia made some transcriptions on Falla's scores. Paco chosed himself those scores for this tribute and recorded iwith joy, turning himself and his guitar again, playing the melodic parts, harmonies and effects by dressing them with the brilliance of his flamenco technique, which allowed us to prove definitely that Falla's music was also clearly in the soul of flamenco.