A collection of musical gems by great contemporary composers of the minimalist and postminimalist trend. Music of Steve Reich (Vermont Counterpoint, New York Counterpoint - first recording of the saxophone version), Arvo Pärt (Pari Intervallo), Hans Otte (Eins), Ludovico Einaudi (Quattro Passi), Henryk Mikołaj Górecki (For you Ann Lill, Op.58), skilfully interpreted by Andrea Ceccomori and Goffredo Degli Esposti on the flutes, Paul Wehage on the saxophones, Cecilia Chailly on harp and Fabrizio Ottaviucci on piano.
Released in 1978, Don't Ask My Neighbors was the second and last album that George Duke produced for Raul De Souza. For the most part, Duke serves the Brazilian trombonist well.
Passaggio, Lavinia Meijer's first release on Sony, is an album of the crossover music of Ludovico Einaudi, an Italian composer and pianist who encouraged the Dutch harpist to record some of his most popular pieces. The playing on this 2013 album is highly polished and appealing, and Meijer demonstrates considerable powers of concentration and precision in performances of her harp transcriptions of Einaudi's keyboard music. Some will find Meijer's renditions emotionally communicative and mood enhancing, and most of the credit for their effectiveness belongs to her, because Einaudi's modal harmonies and conventional patterns tend toward a bland prettiness, or pretty blandness, that's all of a piece. Simple melodies and repeated arpeggiated chords have the instant attraction of minimalist music, and simplicity is often a virtue in the proper context. Sony's recording is clear and close-up, and Meijer has presence in a fairly resonant studio space.
The box "10,000 Years Ahead" brings together six adapted CDs LPs in the heyday of Raul Seixas career - 1973-1977: Krig-There, Bandolo (1973), Gita (1974), New Aeon (1975) , There are 10 Thousand Years ago (1976), Raul Rock Seixas (1977) and 30 Years of Rock (1985). It is a tour of the various facets of this artist classic songs as "Fool's Gold," "Fly in the Soup," "Al Capone", "Walking Metamorphosis", "Gita" …. "I was born there Ten Thousand Years Ago" and many others that marked that time. Limited edition in honor of 25 years without Raul and the 40th anniversary of the launch of album "Gita".
Don’t Hesitate is a musical and personal milestone for Midуn, who took control of every aspect of the album’s recording process, despite being blind since birth. The artist cut all of the tracks in his home studio, playing most of the instruments himself and handling all of the project’s technical elements on his own, utilizing special computer software that enabled him to engineer the sessions.
"In a Time Lapse" was composed over a period of two years and recorded in October 2012 in a Monastery near Verona, Italy. The 14 pieces that compose the album range between piano, strings, percussion and electronics. As with previous albums, "In A Time Lapse" develops as a suite with a concept that recalls the form of a novel divided in different chapters. Epic and emotional, experimental and adventurous, "In A Time Lapse" moves even further exploring new textures and arrangements that blends different musical worlds in one.
udovico Einaudi's aesthetic of emptiness has won him legions of fans worldwide, and Jeroen van Veen's survey of the piano music which is central to Einaudi's style belongs with his survey of minimalists including Glass and Nyman who are less concerned in music as an expressive language than as a commercial artefact. Likewise, his listeners absorb the music less in the sense of engaging with meaning than as backdrop to activity or release from stress. The works on this compendious collection are nearly all 'songs' of between 3 and 7 minutes, with the influence from pop culture that this brevity implies, and sharing with the pop world an economically aware employment of simplicity and repetition so as not unduly to tax the attention-span of the consumer. As Jeroen van Veen remarks, 'Contrary to ordinary classical music, minimal music demands little of the listener but to escape life's troubles for a moment; no comprehensive musical structures ask their full attention.'
Songwriter Chris Isaak clearly loves the reverb-laden rockabilly and country of Sun Studios. In particular, he transfers the sweeping melancholy of Roy Orbison's classic Monument singles ("Crying," "Oh, Pretty Woman," "In Dreams") to the more stripped-down, rootsy sound of Sun, resulting in a stylized take on '50s and '60s rock & roll that made him into a star in the early '90s, propelled to a great degree by the hit single "Wicked Game." Isaak began performing after he graduated from college, forming the rockabilly band Silvertone. The group, which featured guitarist James Calvin Wilsey, bassist Rowland Salley, and drummer Kenney Dale Johnson, would become the singer/guitarist's permanent supporting band