Edward Earl Hazel, born 10 April 1950 Brooklyn, NY, was one of the original Parliament / Funkadelic members in the beginning of the 70’s. He’s probably the first lead guitarist to play hard-rock / funk fusion twenty years before Living Colour, Fishbone or the Red Hot Chili Peppers. With great solos like on the legendary « Maggot brain », it is obvious that Eddie Hazel is the biggest funk guitar-hero and his influence on other funk guitarists is indeniable. His involvement with the George Clinton posse became less preeminent in the 80’s when P.Funk turn more electro-funk oriented and after some drug problems Eddie Hazel died on 23 december 1992 at the age of 42. funkstore.com
At a time when urban radio was obsessed with the hip-hop-minded new jack swing of Bell Biv DeVoe, Bobby Brown, and Guy (among others), Charles & Eddie turned to pre-1980 African-American music for inspiration. The male vocal duo's first album, Duophonic, owes a major debt to the classic Northern soul of the '60s and '70s...
At a time when many aspiring musicians drew inspiration from the Beatles and the Rolling Stones, these brothers set sail for Scotland in the hopes of making a name for themselves in Edinburgh’s burgeoning folk scene. Already accomplished performers, having won numerous competitions in Ireland, the Fureys weren’t content at home.
Not that this artist isn't pretty cool; far from it. Credited either as Bob Hardaway or Robert Hardaway, he spent much of the 20th century at the top of the studio musician scene in Los Angeles, playing a bewildering array of woodwind instruments — even bass clarinet, English horn, and alto flute — on a tall stack of records that stylistically give the impression of having been snatched at random out of a burning used record store, the Partridge Family, Dinah Washington, Bonnie Raitt, and his efforts with the Eddie Shu/Bob Hardaway Jazz Practitioners among them.
This Fantasy 2001 two-fer reissue features saxophonist Eddie "Lockjaw" Davis in session with a quintet that includes the Shirley Scott trio (Scott, organ; George Duvivier, bass; Arthur Edgehill, drums) and conga player Ray Barretto. It was released as Eddie Lockjaw Davis Meets Shirley Horn as Moodsville 30 in 1960. With the exception of a quartet recording released on Stompin' (Prestige 7456), the rest was another quintet with pianist Horace Parlan, drummer Art Taylor, Buddy Catlett on bass, and Willie Bobo on conga, issued as Goin' to the Meetin' in 1962 as Prestige 7242.