Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A later album from reedman Eddie Harris – but a set that still continues some of his best funky styles from the 70s Atlantic Records years! In fact, the record may well be the last that Eddie ever cut in this mode – a real surprise at a time when some of his other sessions were more traditional – and the record's filled with lots of very groovy surprises that include great Fender Rhodes from William Henderson, plus more electric piano from Eddie – who also sings a bit too, in that great raspy tone of his. Rhythms are often pretty great, too – funky, in an offbeat way – thanks to sweet basslines from Larry Gales and drums from Carl Burnett.
Reissue with the latest remastering. Features original cover artwork. Drummer Eddie Marshall never cut many albums as a leader, but we'll always love him for this one – a sublime San Francisco 70s session that features tremendous vibes from the great Bobby Hutcherson! But actually, the whole group's great – and also includes George Cables on piano, James Leary on bass, and Manny Boyd on tenor and soprano sax – who works alongside Hutcherson's vibes with some of the same soulful currents as Harold Land from earlier years! The tunes are well-paced – mostly by Marshall, with a slight undercurrent of spirituality – and a lyrical beauty that almost has Bobby in "Little B's Poem" territory at times.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Trumpeter Steve Gut's on the frontline here alongside the legendary Clark Terry and the great Dusko Goykovich – and the younger musician really manages to hold his own, and work well with the two master trumpeters! The setting is a larger group – the RTB Big Band – and all three players get a chance to solo – and the mighty Alvin Queen is in the group on drums, providing a soulful kick that maybe makes the album sparkle a bit more than usual for the RTB – although they've always had a great legacy of work with bigger name players, especially American ones. Titles include "Mr CT", "Black Triangle", "Stemi", "Summer Afternoon", "On The Road", "Some Memories", and "Blues To Clark".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. We'd hate to get caught in the force of a baritone explosion – as the horns are so big, that's a lot of metal to have to deal with! Fortunately, pianist Rein De Graaf's got the proceedings here on rock-solid territory – providing just the right sort of swing to keep things moving, yet also keep things in control – while both Ronnie Cuber and Nick Brigola open up on the bigger horns – reminding us why they're some of the few players able to carry forward the deftly soulful legacies of earlier baritone greats like Pepper Adams or Serge Chaloff! The album's a live one, and tracks are nice and long – plenty of room for solos on titles that include "Caravan", "Softly As In A Morning Sunrise", "Crack Down", "Night In Tunisia", and "Blue Train" – plus two short beautiful ballads, "What's New" and "In A Sentimental Mood".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A killer Dutch duo from the end of the 70s – tenorist Harry Verbeke, who's got a bold, clear sound – and pianist Rob Agerbeek, who's been making soulful sides from the 60s onwards! The pair get great accompaniment here from drummer Billy Higgins and bassist Herbie Lewis – the last of whom may be at his best here – with these well-placed, well-rounded lines that help the record groove right from the start – and which give the record a nice bounce, even in gentler moments – followed up strongly by Agerbeek and his strong sense of chord progressions. Most tunes are familiar, but get nice readings by the group – and titles include "Gibraltar, "Holy Land", "Soul Sister", "No Me Esqueca", and "No Problem".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. George Adams and Don Pullen knock it out of the park on this one – finding great company in each other's presence, and really moving things forward in the process! The set begins with a long track titled "Mingus Metamorphosis", and that really sums up the spirit of the record – an 80s reworking of all the ideas that the players had learned from Mingus, but with an individual, personal sense that's all their own – and very different than some of the more standard modes of the Mingus Dynasty group that continued the legacy in a more direct manner. Adams is bold one minute, lyrical the next – and plays both tenor and flute – alongside Pullen on piano, Cameron Brown on bass, and Dannie Richmond on drums.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. You may not know European piano player Karel Boehlee, but you'll definitely sit up and take notice after hearing this sweet little set – because he's a hell of a pianist, with a wonderfully lyrical touch! The album's got a masterful sound right from the start – a confident approach to the keys that often has Boehlee leaving just the right amount of space between notes, as he makes his way through the set with very well-matched accompaniment from bassist Frans Bouwmeester and Hans Eykenaar – two more players we don't know at all, but who round out Karel's playing wonderfully. Titles include the great title original "Switch" – plus variations on "Autumn Leaves", "Summertime", "Jest", "On A Clear Day", "Forest Flower", "United Blues", and "Recorda Me"
Reissue with the latest remastering. Features original cover artwork. A heck of a set from Dutch pianist Rob Agerbeek – easily one of the most soulful European pianists of the 70s, even in an acoustic setting like this! Rob's got a bite on the keys that reminds us a lot more of American players from the 60s – not a straight soul jazz groove, but a style that definitely draws from that mode – then opens up into some more lyrical elements that are more in keeping with overseas expression in the 70s. The trio matches his energy nicely – especially on the upbeat numbers that rule the set – with bass from Harry Emmery and drums from Eric Ineke.
Reissue with the latest remastering. Features original cover artwork. A familiar grouping, but one that's presented here in a very different way – as bassist David Williams is up front in the lead, instead of working in his more familiar role in the trio of pianist Cedar Walton! Yet Walton's on board for this debut set from Williams as a leader – as is drummer Billy Higgins – and it's wonderful to hear the way they change things up slightly to give David more time in the spotlight, and to hear the way that Williams hits some of his more lyrical, melodic modes too – qualities that further our love of his talents on the bass, which were already great enough when working behind Walton. Cedar gets in plenty of solos along the way, but often cedes more time to Williams.
Reissue with the latest remastering. Features original cover artwork. Magical live material from Bill Evans in the early 70s – a double-length collection that showcases a time when Evans had an especially fluid, open touch on the keys of the piano! The group here features the great trio with Eddie Gomez on bass and Marty Morell on drums – and unlike some other live Evans albums of this nature, which tend to mike the piano more than the rhythm, this one really has all three points of the trio coming out strongly together – especially Gomez' wonderfully rich, round tones on the bass.